Mozart - Piano and Violin Sonata in Bb KV 15 - Andante maestoso mov. 1/2
Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard, Violin (or flute) and (optional) cello in Bb major, KV 15 1. Andante maestoso Harpsichord: Gérard Poulet Violin: Blandine Verlet This sonata is part of the set of sonatas K.10 - K.15, all of them composed in London and The Hague (Nederlands) during the Mozart's family Grand Tour of Europe. Published by Leopold as Mozart's Opus 3. They are all composed for Harpsichord or Pianoforte, Violin or Flute, and optional cello. This last instrument, however, doesn't have its own melodic line, it just copies the basso continuo line of the Harpsichord left hand. Dedicated to Sophie Charlotte, Queen of England. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we find greater freedom here in terms of both the number and ...
JS Bach - Trio Sonata for Flutes and Continuo in G Major BWV 1039 - 3. Adagio e piano (3/4)
Rearranged by Bach to become Sonata for Viola da Gamba and Harpsichord, BWV 1027 (see: youtube.com ) Frans Brüggen & Leopold Stasny, Transverse Flute Nikolaus Harnoncourt, Cello Herbert Tachezi, Harpsichord Flute Chamber Music playlist: youtube.com
Telemann Trio in A major for Flute, Cembalo and Basso Continuo (1,2/4)
Telemann Trio in A major for Flute, Cembalo and Basso Continuo - Shuntarou Kunieda, Recoder - Kanae Kikuchi, Flauto Traverso - Jin Kim, Baroque Violin - Shigeru Sakurai, Viola Da Gamba - Nakako Nishizawa, Baroque Cello - Ryunoske Okada, Cembalo - Mika Uesono, Cembalo 1. Largo 2. Allegro 3. Largo 4. Vivace - Musica Glorifica musicaglorifica.com
M. Corrette - Sonata for Bassoon, or (Cello, or Viol) No.1 in ?major, Op.20 / Musica Franca
Michel Corrette (1709~1795) ?Les Délices de la Solitude?Op. 20 Sonate n°1 en Fa majeur (sonate pour basson, ou (violoncelle ou Viol) et basse continüe) I. Allegro - 00:00 II. Aria - 01:58 III. Allegro - 04:31 Musica Franca Nadina Mackie Jackson (bassoon) Fraser Jackson (contrabassoon) Paul Jenkins (harpsichord) Almost nothing is known of the life of Michel Corrette (1707-1795), but his works, which span nearly 75 of his almost 90 years on the planet, offer us an exceptional overview of Hausmusik. Corrette was born the year that Buxtehude died and he outlived Mozart by four years. Living to the age of 88 was not an easy task during the 18th century, even though a number of luminaries, musical and otherwise, did it. Corrette's reputation as a composer was founded upon a number of vaudevilles and divertissements composed between 1732 and 1739. He also served a long and distinguished tenure (1737-90) as organist at Ste. Marie within the temple of the grand prieur de France, serving simultaneously as organist at the Jesuit College in the rue St. Antoine. Corrette was also well known as a teacher, but his reputation wasn't always flattering. Some called his pupils anachorètes, or ânes à Corrette. However, for musicologists, Corrette's instructional methods are a wellspring of information regarding performance practice during the period and include publication for a variety of instruments including organ, harpsichord, violin, guitar, double bass, and hurdy-gurdy. Corrette held ...
THIS STUDY PROVES BEYOND ANY DOUBT THAT PAUL IS A FALSE PROPHET! A false apostle ! I show how to go about testing of a prophet from the scripture. You must see my notes and more for this study at lasttrumpet.org Be sure to read. "Jesus Words Only" by Mr. Tondo. He is an attorney who exposed Paul's false teachings ISBN 0-7414-2965-9 Infinity publishing Great web site too jesuswordsonly.com I have met several times with Mr. Tondo and he is a great Biblical scholar. I have worked with many pastors and Mr. Tondo has more Biblical insights then most all pastors. Mr. Tondo is so sharp , I knew right way what a genius gift for the Scripture that he has been blessed with. Very humble man too. He lives in the South Orange County area of Southern California with his wife Laura. Also I have lots of other links below about Paul aka Apolloinus of Tyanna listed below. Here is an interesting secular link comparing Paul aka Apollonius of Tyanna truthbeknown.com The commandments are everything ! Read Deuteronomy 28. Deuteronomy 28:58 If thou wilt not observe to do all the words of this law that are written in this book, that thou mayest fear this glorious and fearful name, THE LORD THY GOD; Jesus primary doctrine "always taught" to keep ALL the commandments of God ! For more insights about Apollonius of Tyana try these links Historical Apollonius By Dr. RW Bernard apollonius.net Apollonius of Tyana by Robertino Solàrion home.iae.nl Apollonius of Tyana livius.org Robert ...
Alongside the JUKE media test drive in Frankfurt (1-17 July), the Murano diesel has made its debut and has been driven for the first time by motoring journalists from across Europe and the Middle East. Here's a snapshot of the new Murano dCi plus soundbites from Paul Johnson, Product Manager, Murano and Bernard Loire, VP Sales Strategy for Nissan in Europe.
FRANÇOIS COUPERIN (1668-1733) Quatrième concert for any combination of instruments in E major "Les Concerts Royaux" 1. Prélude: Gravement 2. Allemande: Legerement 3. Courante Françoise 4. Courante à l'Italiéne Performed by Le Concert des Nations Directed by Jordi Savall *Couperin's Preface: "These pieces are suitable not only for the harpsichord, but also the violin, the flute, the oboe, the viol and the bassoon. I wrote them for the little chamber concerts commanded by Louis XIV almost every Sunday throughout the year. The pieces were performed by Messieurs Duval [violinist], Philidor [oboist and bassoonist], Alarius [gambist], and Dubois [basoonist]: I myself played the harpsichord. In the hope that they will please the general public as they did the late King, I herewith publish several complete volumes"
JS Bach: Concerto Pour 4 Pianos En La Mineur, BWV 1065 (ERATO, 1981) - Complete
Please note: As of late August 2010, I have started a new channel (davidhertzberg) to which I am uploading new music videos. If you want to receive notice of new uploads you might wish to subscribe to that channel. Thank you. --------------------------------------------------------------------------- Concerto Pour 4 Pianos En La Mineur, BWV 1065 by JS Bach. Michael Dalberto, 1er piano; Anne Queffelec, 2ème piano; Pascal Devoyon, 3ème piano; Jacques Gauthier, 4ème piano. Orchestre De Chambre conducted by Jean -Francois Paillard. An Erato recording, January 1981, serial number MCE 15558. Allegro - Largo - Allegro ---------------------------------------------------------------- More from Bach: Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 - youtube.com Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Adagio (Part 3) - youtube.com Albert Schweitzer, 1952: A Mighty Fortress Is Our God - Gunsbach, Alsace - youtube.com Huguette Dreyfus: Concerto Pour Clavecin En Ré Mineur, BWV 1052 (Bach) - Movement 1 - youtube.com Edith Picht-Axenfeld, 1968: Goldberg Variations, BWV 988 - Aria - Part 1 of 11 - youtube.com H. von Karajan, 1966, Brandenburg Concerto No. 2 in F major, BWV 1047 (Allegro assai) - youtube.com ? ????????? ???? ????? ? ????? ?????? ???? ??? ??????????? ??? ??????????? ????? ???????????: ??? ????? ??????? ??????????? ?? ????????? ? ???????????? ????????????. ??? ?????? ????? ? ??????? ??? ...
Johannes Brahms: "Heimweh II", Op.63,No.8 Fischer-Dieskau
Johannes Brahms (1833-1897) "Heimweh II", Op. 63, No. 8 Dietrich Fischer-Dieskau (baritone) Jörg Demus (piano) Brahms wrote three songs entitled "Heimweh" as part of his Op. 63. In each song, Brahms conveys the protagonist's longing for lost childhood. The second song, Op. 63, No. 8, is the most complex, with a beautifully yearning, chromatic melody heard only in the accompaniment to the slower and rhythmically repetitive vocal line. These represent, respectively, the emptiness of a deserted beach as a metaphor for the search for happiness and the bitter realization that there can be no return to the lost joy of childhood. Heimweh II O wüßt ich doch den Weg zurück, Den lieben Weg zum Kinderland! O warum sucht' ich nach dem Glück Und ließ der Mutter Hand? O wie mich sehnet auszuruhn, Von keinem Streben aufgeweckt, Die müden Augen zuzutun, Von Liebe sanft bedeckt! Und nichts zu forschen, nichts zu spähn, Und nur zu träumen leicht und lind; Der Zeiten Wandel nicht zu sehn, Zum zweiten Mal ein Kind! O zeig mir doch den Weg zurück, Den lieben Weg zum Kinderland! Vergebens such ich nach dem Glück, Ringsum ist öder Strand! Klaus Groth (1819-1899) Nostalgia II Oh, that I knew the way back, The blessed way to childhood! Why did I look for happiness And leave my mothers hand? Oh, how I long to rest, Woken by no struggle, To shut my tired eyes, Gently protected by love. To seek after nothing, to peer at nothing, Only lightly and gently to dream, Blind to the changes of time A second ...
What an irony! (Scenes from the cartoon "Sheep Worrier" - YTuser "animaxy") Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208, also known as the Hunting Cantata, is a secular cantata composed in 1713 by Johann Sebastian Bach for the 35th birthday of Prince Christian of Saxen-Weißenfels. Aria 5, "Schafe können sicher weiden" (or "Sheep may safely graze"), is perhaps the most familiar part of this cantata. A normal performance lasts for about forty minutes. Personnel and Instruments: Diana, soprano I Pales, soprano II Endymion, tenor Pan, bass Chorus 2 horns, 2 recorders, 2 oboes, English horn, bassoon, 2 violins, viola, cello, violone, and continuo. Aria: "Schafe können sicher weiden" (orig. in B flat major, for soprano II with 2 recorders and continuo) Australian-born composer Percy Grainger wrote several free rambles on Bachs Sheep may safely graze. He first wrote Blithe Bells, (as he called his free ramble), for elastic scoring between November 1930 and February 1931. In March 1931, he scored a wind band version. It became one of his most famous arrangements. (inf. from Wikipedia)
Edith Hanselman, music director and organist of Strathroy United Church, plays JS Bach's "Sheep May Safely Graze" as the offertory during the June 1, 2008 Sunday Service. Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208, also known as the Hunting Cantata, is a secular cantata by Johann Sebastian Bach. Aria 5, "Schafe können sicher weiden" (or "Sheep may safely graze"), is perhaps the most familiar part of this cantata.
Hermann Prey - Magnificat in D major, BWV 243 - Johann Sebastian Bach
Johann Sebastian Bach, Magnificat in D major, BWV 243 5. Aria (Bass): "Quia fecit mihi magna" Bass (baritone): Hermann Prey Gewandhausorchester Leipzig: Kurt Thomas Recorded by Electrola in Thomaskirche, Leipzig, June and December 1959
Vivaldi Violin Concerto A Minor by Jerusalem Wall modeled Abbey Road Studio 1 Hi Fi Acoustics Score
Antonio Vivaldi, Violin Concerto in A Minor RV356 Op.3(6). Digitally performed at Abbey Road Studio One 1 on September 22, 2011, Foto of Jerusalem Wall and Rock 2/2/2010 However, Abbey Road Studios were not attended, the sound recoding was modelled by a computer program to simulate the acoustics of the Studio, and then manipulated to add Church ambience. Our recordings are 48 Khz, 16 bit 5.1 Surround, also separately mixed in Stereo to meet present yourtube soundtrack limitations. To listen to the alternative mix recording please view another video: youtube.com Free extras, ringtones, mobile mp4 iphone optimized videos and 5.1 surround sound and video files, and MIDI and Digital sheet music PDF printout files download are available for subscribers only. Composer: Antonio Vivaldi (4 March 1678 - 28 July 1741) Antonio Lucio Vivaldi nicknamed il Prete Rosso ("The Red Priest") because of his red hair, was an Italian Baroque composer, priest, virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe. Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas. His best known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi worked from 1703 ...
Bach / David and Igor Oistrakh, 1961: Double Concerto in D minor, BWV 1043 - Goossens, Malcolm
David and Igor Oistrakh are soloists, and Sir Eugene Goossens leads the Royal Philharmonic Orchestra of London, in this 1961 performance of Bach's Concerto for two violins, strings and continuo in D minor, BWV 1043. George Malcolm plays the harpsichord. From the LP you see above, issued in 1962 on the DG label, serial number 138 820. Jacket is at 5:08; label is at 13:04. Images of Bach and excerpts from the score (1:45, 12:09, 16:14) are interspersed throughout. Images from the reverse side of the LP jacket begin at 16:40. 1. Vivace 2. Largo ma non tanto (4:07) 3. Allegro (11:27) You can hear this father/son duo in a performance of this same work, recorded in 1957 with Rudolf Barshai conducting, here: youtube.com More from the Oistrakhs: Tartini / David Oistrakh / Yampolsky, 1950: Sonata in G minor - "Devil's Trill" - Complete- youtube.com Bruch / Igor Oistrakh, 1961: Concerto for Violin and Orchestra in G minor, Op. 26 - Complete - youtube.com Wieniawski / Igor Oistrakh, 1955: Violin Concerto No. 2 in D minor - Complete - youtube.com Franck / Oistrakh / Richter, 1968, Moscow: Sonata in A major for Violin and Piano, Complete - youtube.com More from Bach: Wolfgang Rübsam, 1975: Sechs Chorale von Verschiedener Art, BWV 645-650 - Indexed - youtube.comWanda Landowska, 1949: Prelude and Fugue No. 1 in C, BWV 846 - WTC, Book I - youtube.com Bach / Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Allegro assai - youtube.com ...
Book 02 - Chapter 17 - A Tale of Two Cities by Charles Dickens
Book Two: The Golden Thread - Chapter 17: One Night. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Paul Adams. Playlist for A Tale of Two Cities by Charles Dickens: youtube.com
Book 03 - Chapter 14 - A Tale of Two Cities by Charles Dickens
Book Three: The Track of a Storm - Chapter 14: The Knitting Done. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Paul Adams. Playlist for A Tale of Two Cities by Charles Dickens: youtube.com
Wolfgang Marschner plays Paganini: Le Streghe op. 8 (Witches Dance)
The great German violinist Wolfgang Marschner (*1926) plays Niccolò Paganini´s "Le Streghe" op. 8 (Witches Dance) with a wonderful facility. That´s great violin playing ! At the piano: Karin Elsner. Enjoy !
Sigismund Thalberg: Fantasy on themes of Mozart's Don Giovanni (1/2)
Cyprien Katsaris plays this great (in every sense of the word) piece of music. I will admit, it has its lengths, but overall it is a beautiful piece of music brought to a stunning finish through a 2 minute crescendo.
Sigismond Thalberg - Variations on 'Home, Sweet Home!' Op.72 - MICHAEL PONTI
Played by Michael Ponti, 1974. A very popular tune, if you don't recognise it, where have you been living!). "Home! Sweet Home!" (also known as "Home, Sweet Home") is a song that has remained well-known for over 150 years. Adapted from American actor and dramatist John Howard Payne's 1823 opera Clari, Maid of Milan, the song's melody was composed by Englishman Sir Henry Bishop with lyrics by Payne. The opening lines Mid pleasures and palaces though we may roam, Be it ever so humble, there's no place like home; have become famous. It is also used with Sir Henry Wood's Fantasia on British Sea Songs and in Alexandre Guilmant's Fantasy for organ Op. 43, the Fantaisie sur deux mélodies anglaises, both of which also use "Rule, Britannia". In 1909, it was featured in the silent film The House of Cards, an Edison Studios film. In the particular scene, a frontier bar was hurriedly closed due to a fracas. A card reading "Play Home Sweet Home" was displayed, upon which an on-screen fiddler promptly supplied a pantomime of the song. This may imply a popular association of this song with the closing hour of drinking establishments. The song is famous in Japan as "Hany? no Yado" ("????"?) ("My Humble Cottage"). It has been used in such movies as The Burmese Harp and Grave of the Fireflies. It is also used at Senri-Ch?? Station on the Kita-Osaka Ky?k? Railway.
"Oriental" from Kaleidoscope, Op. 50, No. 9 by Cesar Cui
Whitney Wittwer on Violin, Abbey Hafen on Viola, and Levi Neely on Piano. We put this together hours before. Literally. Sorry about the girls in the middle of it!
Thomas Hampson - My wife is a most knowing woman - Stephen Foster
Thomas Hampson My wife is a most knowing woman - Stephen Foster Jay Ungar Trio Pittsburg 1994 (?)
what is a song from the 1900s that represents its time? i have one song and its thats whats the matter by stephen foster. but i need a different one please.
We didn't start the fire by Billy Joel.youtube.com/watch?v=m50p-XScreMThis videos even give the time with the words, I recomend you to listen to it and watch the video
"Lazarus, oder die Feier der Auferstehung" ("Lazarus, or the Celebration of the Resurrection") D.689, Cantata for six soloists, chorus & orchestra (Unfinished) composed by Franz Schubert (1820) Act I - XX. So war mir, Lazarus Act I - XXI. O Barmherziger, O verlass ihn nicht performed by Bavarian Radio Symphony Orchestra with Helen Donath, Lucia Popp, Maria Venuti, Robert Tear, Elmar Schloter, Josef Protschka, Dietrich Fischer-Dieskau conducted by Wolfgang Sawallisch This large-scale, three-act dramatic work for six vocal soloists, chorus, and orchestra was never performed during his lifetime; indeed, it was apparently never completed. Only the first act and about half of the second act (approximately 75 minutes of music) exist in manuscripts discovered by Ferdinand Schubert, Franz's brother, after the composer's untimely death at age 31. What were the circumstances of the work's composition, and why was it abandoned? What are its principal musical characteristics, and where does it fit in Schubert's development as a composer? Finally, what insight does it provide into Schubert's personal religious beliefs? "A Discussion of Schubert's Lazarus, D.689" Franz Schubert Myspace Blogs blogs.myspace.com History of the Manuscript: The extant autograph manuscripts for Acts 1 and 2 are both "fair copies," fully written out and generally free of strikeouts or corrections. No autograph sketches, drafts, or short-scores exist. Each act's manuscript had a different fate, however. After ...
Stephen Kovacevich: Capriccio in C sharp minor, Op. 76, No. 5 (Brahms) - Philips, 1983
Dear Mr. Kovacevich: If you are reading this please be aware that I contacted via email your agent in August 2010 to request retroactive permission to post this video, but never received a reply. If you would like me to remove this video, please contact me directly and I will be glad to do so. Kind regards, David Hertzberg ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Scherzo, Op. 4; Ballades, Op. 10; Klavierstucke, Op. 76: youtube.com From the LP "Brahms - Stephen Bishop Kovacevich," 1983, serial number 411 103-1. Bishop recorded the Op. 76 Klavierstucke on this LP in London, February 1983. Notes by Joan Chissell.
The Doro Sextet performs the 1st movement of Brahms' String Sextet #2 in G major (op.36) at the wedding of our first cellist Hylke, in the Academiegebouw in Utrecht, the Netherlands, May 24th, 2008. The players are (the usual suspects, left to right): Ying Wei Nio, Richard van Calcar, Hylke van Lingen, Anna Offermans, Kristofer G. Skaug and Jeroen Terstegge. The Doro ensemble consists of (ex-)members of the Krashna Musika university Orchestra in Delft.
Schumann Abendlied op.85 (transcription for 2 hands) Victor Stanislavsky
From Robert Schumann - 12 Klavierstücke für kleine und große Kinder, Op.85 (12 pieces for big and small children) No.12 - Abendlied (evening song) Originally for piano in 4 hands. The transcription for piano in 2 hands is by Victor Stanislavsky.
Robert Schumann 12 vierhändige Klavierstücke für kleine und große Kinder, op.85 XII. Abendlied piano, Duo Vivo (duovivo.com) Philippos Nakas Conservatory Athens, Greece March 2, 2011
Jen? Hubay composed Hullamzo Balaton (waves of Balaton). Joseph Szigeti plays it. Recorded on 30 September 1908; London Joseph Szigeti (Hungarian: Szigeti József) (September 5, 1892 February 19, 1973) was a Hungarian virtuoso violinist. Born into a musical family, he spent his early childhood in a small town in Transylvania. He quickly proved himself to be a child prodigy on the violin, and moved to Budapest with his father to study with renowned pedagogue Jen? Hubay. After completing his studies with Hubay in his early teens, Szigeti began his international concert career. His concertizing at that time was primarily limited to salon-style recitals and the more overtly virtuosic repertoire; however, after making the acquaintance of pianist Ferruccio Busoni, he began to develop a much more thoughtful and intellectual approach to music that eventually earned him the nickname "The Scholarly Virtuoso". Following a bout of tuberculosis which necessitated a stay in a sanatorium in Switzerland, Szigeti settled in Geneva where he became Professor of Violin at the local conservatory in 1917. It was in Geneva that he met his wife, Wanda Ostrowska, and at roughly the same time he became friends with the great composer Béla Bartók. Both relationships were to be lifelong. From the 1920s until 1960, Szigeti performed regularly around the world and recorded extensively. He also distinguished himself as a strong advocate of new music, and was the dedicatee of many new works by ...
Chapter 27 - Treasure Island by Robert Louis Stevenson
Chapter 27: "Pieces Of Eight". Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Adrian Praetzellis. To view the book in separate chapters, go to this playlist: youtube.com If you would prefer to watch in the 6 original parts, go to this playlist: youtube.com
Blues Lesson - fingerpicking key of A - Part 3/3 - Robert Johnson's Kindhearted Woman Blues
My version of Robert Johnson's "Kindhearted Woman Blues" FREE TABLATURE at daddystovepipe.com Standard tuning key of A In this lesson I teach the accompaniment behind the vocals Link to the first lesson that teaches the intro http Here's the link to the full performance youtube.com
Good Night Classical music baby Lullaby song by Johannes Brahms: infant toddler Wiegenlied Hi Fi 5.1
Lullaby or Cradle Song by Johannes Brahms (Wiegenlied: Guten Abend, gute Nacht, Op. 49, No. 4). Virtually digitally performed by Violin and Celeste at Abbey Road Studio One 1 on September 8, 2011. Video starring Anastasia is a true life bed time scene recording, footage taken 22 January 2011 at 22:09PM at the Holy Land of Israel Note: Abbey Road Studios were not truly attended, the sound recoding was modelled by a computer program to simulate the acoustics of the Studio, and then manipulated to add Church ambience. To listen to Brahms' Lullaby different mix please view another video at our sister channel: youtube.com Free extras, ringtones, mobile mp4 iphone optimized videos and 5.1 surround sound and video files, and MIDI and Digital sheet music PDF printout files download are available for subscribers only. Composer: Johannes Brahms 7 May 1833 -- 3 April 1897 Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms' popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs. Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own ...
Good night dreams Brahms lullaby calm baby song to relax and fall asleep easy, sleep better Hi Fi HD
Bedtime baby peaceful night dreams Lullaby or Cradle Song by Johannes Brahms (Wiegenlied: Guten Abend, gute Nacht, Op. 49, No. 4). Virtually digitally performed by digital mom voice and Celeste at Abbey Road Studio One 1 on September 8, 2011. Hand drawing made 19 September 2011 at late evening hours at the Holy Land of Israel Note: Abbey Road Studios were not truly attended, the sound recoding was modelled by a computer program to simulate the acoustics of the Studio, and then manipulated to add Church ambience. To listen to Brahms' Lullaby different mix please view another video at our sister channel: youtube.com youtube.com Free extras, ringtones, mobile mp4 iphone optimized videos and 5.1 surround sound and video files, and MIDI and Digital sheet music PDF printout files download are available for subscribers only. Composer: Johannes Brahms (pronounced [jo??han?s ?b?a?ms] 7 May 1833 -- 3 April 1897 Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms' popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs. Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso ...
My favorite piece. My favorite key. Written in Weimar in 1711. The opening is improvising section, free, strong, and spirit. In the Slow-cholare fugue, the 4 voices make gorgeous harmonies. Sustained notes are just amazing. Long fugue is following. ( double fugue is in the second half.) Fugue is like a traveling. Each subject has different face, color, and atmosphere. Long Bridge is so interesting. Something new is waiting over the bridge. Episodes make me so excited. I cannot stop playing this. So much fun! * recorded in New York, 2009
JS Bach - Christmas Oratorio BWV 248 - Part I 'For the First Day of Christmas' - Mvt. I
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. I. Coro 'Jauchzet, frohlocket'
Franz Schubert: Octet in F major D805 - 2nd movement (extract) Olivia Hughes, Hélène Maréchaux, violin Alice Mura, viola Solène Kermarrec, cello Alexnadra Scott, double bass François Sauzeau, clarinet Olivier Massot, bassoon Michel Molinaro, horn Ce concert peut être entièrement et gratuitement visionné, en quasi HD, sur micmacmusic.com This concert is available entirely for FREE viewing in near-HD quality on micmacmusic.com
La chanson de l'Atlantique (poème, musique Schubert)
Vidéo déjà mise, mais supprimée pour arrangements du texte que voici : Je l'avais, la ballade, écrite un clair matin En rimes qui prônaient un rivage lointain. S'en souvient-il encor de ce soleil d'octobre, Quand tout autour de nous était bien, simple et sobre ? Quelqu'un a pris mes mots pour composer un chant Langoureux, nostalgique, émouvant et touchant. L'écoutant, je ne peux réprimer une larme, Car il est si puissant que le cœur se désarme. Son jeu rend peu à peu mon chagrin moribond, Comme en partance, un train, pour un pieux horizon. Je ferais volontiers de semblables voyages En pays étrangers sous des cieux sans nuages, Comme c'était alors au bord de l'océan Atlantique fougueux, magnétique et béant... Peut-être accompagnée d'une âme radieuse Pour me faire oublier ma faiblesse odieuse. Le poème chanté me conduira toujours En pensée à ce lieu aux rocailleux contours. Rien ne pourra jamais m'obliger à médire Les charmes de là-bas, ni me les interdire. Peut-être y reviendrais-je en fredonnant cet air Aussi noble et pur que les lieder de Schubert. L'ouïe au baladeur, le regard sur la plage, Ô boire la marée soufflant sur mon visage ! Marygrange Musique : danse hongroise de Franz Schubert (Domaine Public)
The last 10 minutes of the fourth movement from Beethoven's Symphony No. 9 in D minor, Op. 125 "Choral" as performed by the Northwest Sinfonietta on April 4th, 2008. Beethoven's knowledge of music culminated in the form of this piece which has become the most influential work in western history.
Book 03 - The Hunchback of Notre Dame by Victor Hugo (Chs 1-2)
Book 3.Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mark Nelson. Playlist for The Hunchback of Notre Dame by Victor Hugo - Books 1-11: youtube.com
Passing Through: youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: youtube.com , and support him - Thanks :) Egmont, opus 84, by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture and nine separate subsequent pieces for soprano and full orchestra. Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810. The subject of the music is the history and the heroism of the Count of Egmont. In the music Beethoven expressed his own political concerns, particularly the heroic exaltation of the sacrifice of a man condemned to death by having taken a strong stand against oppression. The music was accompanied by eulogistic praise, in particular by ETA Hoffmann, for its poetry and Goethe himself declared that Beethoven had expressed his intentions with "a remarkable genius". The overture, powerful and expressive, is one of the last works of his middle period; it has become as famous a composition as the Coriolan Overture, and is in a similar style to the Fifth Symphony which he completed two years earlier. Conducted by: Leonard Bernstein (We appreciate Wikipaedia's contributions in the descriptions here)
Passing Through: youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: youtube.com , and support him - Thanks :) Ouvertüre Coriolan, op. 62, is a composition written by Ludwig van Beethoven in 1807 to Heinrich Joseph von Collin's 1804 tragedy. The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolan's resolve and war-like tendencies (he is about to invade Rome), and the tender E flat major theme represents the pleadings of his mother to desist. Coriolan eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies to Rome's gates, he kills himself. (We appreciate Wikipaedia's contributions in the descriptions here)
Ludwig Van Beethoven (1770 † 1827) Work: Coriolan Overture Op.62 The Coriolan Overture (German: Ouvertüre Coriolan, Op.62) is a composition written by Ludwig van Beethoven in 1807 to Heinrich Joseph von Collin's 1804 tragedy. The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolan's resolve and war-like tendencies (he is about to invade Rome), and the tender E-flat major theme represents the pleadings of his mother to desist. Coriolan eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies to Rome's gates, he kills himself. It was premiered in March of 1807 at a private concert of the home of Prince Franz Joseph von Lobkowitz. The fourth symphony and the fourth piano concerto were premiered in that same concert.
Georg Friedrich Händel - Sarabande (with no variations) by Andrixbest
Georg Friedrich Händel - Sarabande (with no variations) I played only the first variation. I'll try to do the other parts too. I have never studied piano and i'm just trying to play the compositions i like the most!
Wolfgang Amadeus Mozart Don Giovanni 1979 Directed by Joseph Losey Conducted by Lorin Maazel Libretto by Lorenzo da Ponte Ruggero Raimondi ... Don Giovanni John Macurdy ... The Commendatore Edda Moser ... Donna Anna Kiri Te Kanawa ... Donna Elvira Kenneth Riegel ... Don Ottavio José van Dam ... Leporello Teresa Berganza ... Zerlina Malcolm King ... Masetto Eric Adjani ... A Valet in Black imdb.com
