Louis Ganne - Andante et Scherzo

Download sheet music pdf: Louis Ganne - Andante et Scherzo

Are the pieces I'm playing for my college audition on flute different enough? I need to play two pieces of different styles and I'm playing Syrinx by Debussy and Andante et Scherzo by Louis Ganne and I wonder if they're too similar. I'm auditioning at SDSU, CSU Northridge, and CSU Monterey Bay.
Have you already practised? If you did then it's better not to change.However, want to try something of a different tempo? What does your private teacher say? That's the most important opinion. I think it'd be okay, but there are definitely MORE contrasting pieces than those two. You could play Syrinx and a Mozart concerto, for example. Or Syrinx and Bach.
Music Audition Question? In a few weeks I will be auditioning to for a University music program. I play the flute and will be performing "Andante et Scherzo" by Louis Ganne. This piece has a few spots were there are rests that last a measure, one spot where I rest for two measures. My question is do I count the rests or just skip them? Unless it's a piece where each measure lasts for a minute each, my recommendation would be to count through them all. You could also ask the auditor prior to playing that piece what his/her preference would be. Are you playing without piano? You might want to wait in the rests, especially if they are in the scherzo. If you plan to skip the two measures and it is a live audition just tell the person or comitee that you plan to do it. Or ask how they feel about that. I teach in a conservatory and do not mind if you skip a very long rest. There are several different scenarios.If you finished on beat two or three of a measure, finish counting the measure off to beat four and begin the next stanza.If the last note is on beat four, count one measure and then come in. It is better to wait longer and prove the the judges that you can count and keep a steady tempo. Whatever you do, make sure you finish counting the measure you ended on, never skips beats in a measure.If you are playing with an accompanist, keep counting while they play the measures when you have rests. It depends how long the rest is. If it is just one or two bars then I would 'play' them. This would be a good opportunity during the audition piece to take a breath and calm down so to speak! There is no do's or don'ts with audition pieces! If they really want you to skip the rests they will tell you! Like others have mentioned.with accompanists, count the rests. Playing alone, it depends on the duration. During my audition, I asked if they wanted me to count the rests, which they thoroughly appreciated and responded with "Only if you wish." It is an opportunity to take a quick breather, so if they say it's up to you, I'd suggest counting 2-3 beats to get some air and keep moving ONLY if you want to. Just ask the auditioners. You don't have long rest durations, so it's not a big deal. I play the flute, too! I know exactly what you're talking about.When you're auditioning with that piece, chances are the auditioners know it, so you should be able to skip it. However, it is only one measure of rest. But if you wanted to, it's totally okay.

Cole Porter - All Of You

Ella Fitzgerald - All of you

Ella Fitzgerald singing Cole Porter (1954). From Cole Porter\'s Songbook. With some of my photos on scottish rainy days.

Sheet music for Cole Porter - All Of You is available for downloading in digital format.

All of you by Cole Porter, performed by Steve Bone.Day 181 of the Jazz Standard Challenge

Cole Albert Porter (June 9, 1891 October 15, 1964) was an American composer and songwriter. His works include the musical comedies Kiss Me, Kate, Fifty Million Frenchmen, DuBarry Was a Lady and Anything Goes, as well as songs like "Night and Day," "I Get a Kick out of You," "Well, Did You Evah!" and "I\'ve Got You Under My Skin." He was noted for his sophisticated, bawdy lyrics, clever rhymes and complex forms. He was one of the greatest contributors to the Great American Songbook. Cole Porter is one of the few Tin Pan Alley composers to have written both the lyrics and the music for his songs. Porter was born in Peru, Indiana, to a wealthy Baptist family;[1] his maternal grandfather, James Omar "JO" Cole, was a coal and timber speculator who dominated his daughter's family. His mother started Porter in musical training at an early age; he learned the violin at age six, the piano at eight, and he wrote his first operetta (with help from his mother) at 10. Porter\'s mother, Kate, recognized and supported her son's talents. She changed his legal birth year from 1891 to 1893 to make him appear more precocious. Porter's grandfather JO Cole wanted the boy to become a lawyer, and with that career in mind, sent him to Worcester Academy in 1905 (where he became class valedictorian) and then Yale University beginning in 1909. Porter was a member of Scroll and Key and Delta Kappa Epsilon (Phi chapter) and sang both in the Yale Glee Club, of which he was elected president his senior.

All People That On Earth Do Dwell - folklore

Part 1 - The Thirty-Nine Steps by John Buchan (Chs 1-5)

Part 1. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Adrian Praetzellis. Playlist for: The Thirty-Nine Steps by John Buchan: youtube.com The Thirty-nine Steps free audiobook at Librivox: librivox.org The Thirty-nine Steps free eBook at Project Gutenberg: gutenberg.org The Thirty-nine Steps at Wikipedia: en.wikipedia.org. Sheet music for all people that on earth do dwell is available for downloading in digital format.

Adoramus Te by Palestrina

Farther Along octet sings Palestrina's Adoramus Te, Christe

this song comes from the Renaissance, the text is in Latin.


Download and print Adoramus Te by Palestrina sheet music

Adoramus te - Palestrina - The Stairwell Carollers, Ottawa.

Ottawa choir, The Stairwell Carollers, perform "Adoramus te"by Giovanni Pierluigi da Palestrina (3 February 1525 or 2 February 1526 -- 2 February 1594) an Italian Renaissance composer of sacred music. Camera: Zoe Hart. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011.

Across The River (Alejandro Escovedo)

Alejandro Escovedo - Across the River

From Alejandro Escovedo's album "A Man Under the Influence" (2001). Available at LegalSounds, GoMusicNow, and GoldenMP3.


Sheet music for Across The River (Alejandro Escovedo) is available for downloading in digital format.

"With These Hands" by Alejandro Escovedo

"With These Hands" from the the theatrework "By the Hand of the Father". Music by Alejandro Escovedo

A Question - Hawley

Question about hawley retainer? I just got one, and wondering if it should be snugly against the roof of my mouth, or should there be a little play in it ? Should I be able to take a mouthful of water and pass it between the retainer and the roof of my mouth by swishing it around. Just curious.

See and download A Question - Hawley music score

Wow this is a good question! I don't quite know.It depends for me if I can do that or not. I can usually swish by pulling it out a tiny bit, but when it is snug water doesn't get all the way around it.But I don't know the answer for real, and my case may be different because my retainer was made like 2 years before I was able to wear it, so the roof of my mouth changed a little bit and it doesn't fit as well as it should up there. So I don't know what should happen with a really well fitting one.But your teeth won't move, whatever happens, don't worry. Probably the quality of the impression has something to do with the way your retainer fits, if you got it made recently and your mouth hasn't changed like mine did:)

Hawley Retainer Question? Ok so i get my braces off in two days and i am getting a hawley retainer. There are two gaps in my top teeth, between the 12-and the 13 and between my 22-and my 23. The gap is about 1 to 1.5 mm. I was wondering how long the hawley retainer will take to close this gap. All my other teeth are fine. Cheers
Usually the braces do not get removed if there is a gap in the teeth. Sometimes the orthodontist thinks that the gaps might close when the teeth 'settle' in. However, the retainer is NOT going to move the teeth or close any gaps. It is for retention only ( to hold the teeth where they are). Address the concerns with your orthodontist when you go to your appointment, most likely he/she will not remove them until they close the gaps. Good luck!

Question for people who have hawley retainers? well as you all know that hawley retainers have the plastic bit on it. well when i eat all the food builds up on top of the plastic bit. how do i stop this or what am i sopposed to do other than take it out a rinse it under a tap
Question for people wh have hawley retainers.? well as you all know that hawley retainers have the plastic bit on it. well when i eat all the food builds up on top of the plastic bit. how do i stop this or what am i sopposed to do other than take it out a rinse it under a tap
Just take it out when you eat. It won't hurt. As l as you wear it like your supposed to. Because I'm guessing you don't eat for hours straight. So just take it out for a few minutes is fine. My orthondontist told me to wear mine 24/7 except when I eat and brush for the first 6 months, but they said I can eat with it if I want to.

Where is the old town dump in Hawley, Pa? Every town had a dump years ago. Somebody told me there is an old town dump in Hawley, Pennsylvania. The only question is WHERE IS THE DUMP LOCATED AT?
you remember the big old white house the cess pit behind the back door about 300 meters left of the passing distraction your post is this is current events ,at least be asking in history or where the new dump is sorry about dumping on you but you allow no im nor do you allow em so this is the only way to let you know this is not the right section for history

Tasmania travel question. Is there any public transport from Hawley beach to Sheffield? I am getting married at Hawley Beach. and our honeymoon is at Cradle Mountain. we're just trying to find out- how we'll get to Cradle Mountain.. are there any trains or buses.. taxis? Thanks. I found this map on how to get there. but I'd prefer not to drive: maps.google.com.au/maps?client=firefox-a&rls=org.mozilla:en-US:official&channel=s&hl=en&q=68%20Hawley%20Esplanade%20Hawley%20Beach%20TAS%207307%20%20to%20eagles%20nest%20retreat&um=1&ie=UTF-8&sa=N&tab=wlThanks Yahooers.
There are no passenger train services (other than short tourist rides) anywhere in TasmaniaA taxi may be expensiveYou could check Tigerline or Redline who provide bus services across the state, they do have services into Cradle Mtn

Can you help me with this question I have about my teeth? I had my braces taken off a couple months ago, but I recently noticed my front teeth overlap a little. Since they overlap it causes one to look slightly longer than the other, which really irritates me. I've been wearing my retainer (it's a hawley retainer) What should I do? And how can this be fixed? Thank you for the help!
Quick question about getting my braces taken off tomorrow!? Okay so I have had a fixed brace for 2 years on my bottom teeth. However I have had a removable retainer ( think they're called hawley retainers) which is a plastic bit that goes on the top of my mouth, and has metal parts on it. Okay so tomorrow when I get my fixed brace taken off I will be getting a clear retainer for my bottom teeth, but my question is will I also get a clear retainer for my top teeth or not? Thanks:)
Does Charlotte Louise Hawley sound good? I asked this question last night, but I accidentally deleted it, so I'm asking it again.I'm trying to write right a character now, and I'm trying to find a good middle and last name for my character. Is Charlotte Louise Hawley any good? Any suggestions? She's a rather quiet person, who prefers to be left alone. A question about another name. Does Beatrice Earnestine Argall sound good? This character is an older person. Any suggestions for this name?
oohh i like both names!and they both fit the descriptions of the characters!!good luck on your writing!

53rd And 3rd by Dee Dee Ramone

was Dee Dee Ramone gay? I loved the Ramones, but always wondered about Dee Dee. Especially with the song 53rd and 3rd, that he wrote. He hung out in this area in New York, where are of the queers were. I know that he liked his heroine and am wondering if he was male prostituting himslef

Check out digitalized sheet music for 53rd And 3rd by Dee Dee Ramone

He married a woman, so he probably wasn't gay. He could have been bisexual, but I don't think I've ever heard anything to suggest he had any interest in guys.

There are many claims that Dee Dee was bisexual from friends such as Danny Fields (first manager - also gay), Linda Stein (manager), Legs McNeil (co-founder of Punk Magazine and close friend) and many others. There is also a oft-quoted legend of Dee Dee working as a rent boy in New York before the Ramones career took off. This is supposedly the subject of the song from their 1st LP "53rd & 3rd".

What are some songs about opium/heroin/opiates? I am making a mix CD themed around opiates and I am looking for some songs on the topic. So far I have the following:Neil Young - The Needle and The Damage DoneRed Hot Chili Peppers - Under The BridgeThe Velvet Underground - I'm Waiting For The ManThe Ramones - 53rd and 3rdThe Velvet Underground - HeroinThin Lizzy - Opium TrailHooverphonic - OpiumRasputina - Mama Was An Opium SmokerJump, Little Children - OpiumPlacebo - Been Smoking Too LongBrian Eno - China My ChinaLou Reed - Xmas in FebruaryHenry Fiat's Open Sore - Dee Dee RamoneMotorhead - Hump on your BackThe Ramones - Love KillsThe Slits - Instant HitAC/DC - Gone Shootin'Tom Waits - CrossroadsLeftover Crack - Heroin or Suicide?Manic Street Preachers - Roses In The Hospital
Guns n Roses-Mr. BrownstoneMad Season- Wake upgreat reference by tranquilized. I had forgotten about that one

Hurt- Johnny Cash's is best, but Nine Inch Nails did it originallyMr. Brownstone- Guns n RosesNot if you were the last Junkie on earh- Dandy Warhols

Alice in Chains-Angry Chair, or almost any other song they ever wrote.Mad Season-Wake upGuns n Roses-Mr Brownstone

"Dead Flowers" by The Rolling Stones (i'm not sure if it's100% about heroin, but there is a verse that goes along the lines of "i'll be in my basement room with a needle and a spoon and another girl to take my pain away")"The Crystal Ship" by The Doorsand thats about all i can think of off the top of my head.

There's a hidden song on the album "Opiate" by the band "Tool", I think its called Lotus ExperienceO'crap sorry you said opium/heroin/opiates. Well this song is about LSD and E.but I'll post this anyways. Check it out.

i don't know songs about opium, herione, and opiates but. i do know that bob dylan's "tambourine man" and the beatles' "yellow submarine" are about drugs.

Cole Porter's "I Get a Kick Out of You" is about Cocaine.Nat King Cole's "Straighten Up and Fly Right" is about heroin.ANYTHING off the soundtrack of "Pump Up The Volume" will do.Monkey by George Michael from his "Faith" LP Need some instrumentals to break up the vocals? Any of the songs on the soundtrack to "Rush" will work -- the tunes are all about heroin -- written and perfomed by ERIC CLAPTON.

Velvet Underground-HeroinJohnny Thunders-Chinese RockMother Love Bone-Bone ChinaRHCP-Knock Me Down (more about addiction)Rancid-Dope Sick GirlRancid-Junkie Man

Placebo - My Sweet PrinceManic Street Preachers - Drug Drug DruggyNine Inch Nails - HurtRolling Stones - Dead FlowersPlacebo - Teenage AngstHere's a whole list on wikipedia:en.wikipedia.org/wiki/List_of_songs_about_cocaine

Adalbert Gyrowetz - Three Sonatas for Violin (or Flute), Cello, Harpsichord (or Piano) – Harpsichord (or Piano) Part, Op.17a

Mozart - Piano and Violin Sonata in Bb KV 15 - Andante maestoso mov. 1/2

Wolfgang Amadeus Mozart (1756 - 1791) Sonata for Keyboard, Violin (or flute) and (optional) cello in Bb major, KV 15 1. Andante maestoso Harpsichord: Gérard Poulet Violin: Blandine Verlet This sonata is part of the set of sonatas K.10 - K.15, all of them composed in London and The Hague (Nederlands) during the Mozart's family Grand Tour of Europe. Published by Leopold as Mozart's Opus 3. They are all composed for Harpsichord or Pianoforte, Violin or Flute, and optional cello. This last instrument, however, doesn't have its own melodic line, it just copies the basso continuo line of the Harpsichord left hand. Dedicated to Sophie Charlotte, Queen of England. Abert wrote: "A very different aspect is revealed by the sonatas written in London and The Hague, K10 - 15 and K26 - 31. It is not, however, as though Mozart had broken completely free from his former models. Indeed, Schobert's spirit continued to leave its mark on his style right up to the end of his life, simply because the two men were kinded spirits. But the older impressions were now joined by new ones whose principal mediator was Johann Cristian Bach. It was not, however, a change that took place overnight: the sonatas K10, K11 and K13 are still in three movements, while K13 and K14 additionally include complete recapirulations as found in works of the earlier period. Parisan taste is discernible in points of detail, too. In other respects, however, we find greater freedom here in terms of both the number and ...


Download digital sheet music: Adalbert Gyrowetz - Three Sonatas for Violin (or Flute), Cello, Harpsichord (or Piano) – Harpsichord (or Piano) Part, Op.17a and play it off-line

JS Bach - Trio Sonata for Flutes and Continuo in G Major BWV 1039 - 3. Adagio e piano (3/4)

Rearranged by Bach to become Sonata for Viola da Gamba and Harpsichord, BWV 1027 (see: youtube.com ) Frans Brüggen & Leopold Stasny, Transverse Flute Nikolaus Harnoncourt, Cello Herbert Tachezi, Harpsichord Flute Chamber Music playlist: youtube.com

Sonata No.2 for Violin, Viola da Gamba and Basso Continuo – Parts, (Johann Philipp Krieger)

Telemann Trio in A major for Flute, Cembalo and Basso Continuo (1,2/4)

Telemann Trio in A major for Flute, Cembalo and Basso Continuo - Shuntarou Kunieda, Recoder - Kanae Kikuchi, Flauto Traverso - Jin Kim, Baroque Violin - Shigeru Sakurai, Viola Da Gamba - Nakako Nishizawa, Baroque Cello - Ryunoske Okada, Cembalo - Mika Uesono, Cembalo 1. Largo 2. Allegro 3. Largo 4. Vivace - Musica Glorifica musicaglorifica.com


Sonata No.2 for Violin, Viola da Gamba and Basso Continuo – Parts, (Johann Philipp Krieger) sheet music is available online.

M. Corrette - Sonata for Bassoon, or (Cello, or Viol) No.1 in ?major, Op.20 / Musica Franca

Michel Corrette (1709~1795) ?Les Délices de la Solitude?Op. 20 Sonate n°1 en Fa majeur (sonate pour basson, ou (violoncelle ou Viol) et basse continüe) I. Allegro - 00:00 II. Aria - 01:58 III. Allegro - 04:31 Musica Franca Nadina Mackie Jackson (bassoon) Fraser Jackson (contrabassoon) Paul Jenkins (harpsichord) Almost nothing is known of the life of Michel Corrette (1707-1795), but his works, which span nearly 75 of his almost 90 years on the planet, offer us an exceptional overview of Hausmusik. Corrette was born the year that Buxtehude died and he outlived Mozart by four years. Living to the age of 88 was not an easy task during the 18th century, even though a number of luminaries, musical and otherwise, did it. Corrette's reputation as a composer was founded upon a number of vaudevilles and divertissements composed between 1732 and 1739. He also served a long and distinguished tenure (1737-90) as organist at Ste. Marie within the temple of the grand prieur de France, serving simultaneously as organist at the Jesuit College in the rue St. Antoine. Corrette was also well known as a teacher, but his reputation wasn't always flattering. Some called his pupils anachorètes, or ânes à Corrette. However, for musicologists, Corrette's instructional methods are a wellspring of information regarding performance practice during the period and include publication for a variety of instruments including organ, harpsichord, violin, guitar, double bass, and hurdy-gurdy. Corrette held ...

Essais, - Paul Bernard

PAUL THE FALSE APOSTLE "THE BIG TEST" from God

THIS STUDY PROVES BEYOND ANY DOUBT THAT PAUL IS A FALSE PROPHET! A false apostle ! I show how to go about testing of a prophet from the scripture. You must see my notes and more for this study at lasttrumpet.org Be sure to read. "Jesus Words Only" by Mr. Tondo. He is an attorney who exposed Paul's false teachings ISBN 0-7414-2965-9 Infinity publishing Great web site too jesuswordsonly.com I have met several times with Mr. Tondo and he is a great Biblical scholar. I have worked with many pastors and Mr. Tondo has more Biblical insights then most all pastors. Mr. Tondo is so sharp , I knew right way what a genius gift for the Scripture that he has been blessed with. Very humble man too. He lives in the South Orange County area of Southern California with his wife Laura. Also I have lots of other links below about Paul aka Apolloinus of Tyanna listed below. Here is an interesting secular link comparing Paul aka Apollonius of Tyanna truthbeknown.com The commandments are everything ! Read Deuteronomy 28. Deuteronomy 28:58 If thou wilt not observe to do all the words of this law that are written in this book, that thou mayest fear this glorious and fearful name, THE LORD THY GOD; Jesus primary doctrine "always taught" to keep ALL the commandments of God ! For more insights about Apollonius of Tyana try these links Historical Apollonius By Dr. RW Bernard apollonius.net Apollonius of Tyana by Robertino Solàrion home.iae.nl Apollonius of Tyana livius.org Robert ...


Digital sheet music source: Essais, - Paul Bernard

At the Murano 2.5 dCi test-drive: Frankfurt

Alongside the JUKE media test drive in Frankfurt (1-17 July), the Murano diesel has made its debut and has been driven for the first time by motoring journalists from across Europe and the Middle East. Here's a snapshot of the new Murano dCi plus soundbites from Paul Johnson, Product Manager, Murano and Bernard Loire, VP Sales Strategy for Nissan in Europe.

François Antoine Habenech (Violin Concerto No.2 in E Major – Violin Solo Part,)

Couperin - "Les Concerts Royaux" Concert No. 4 - Mov. 1-4/7

FRANÇOIS COUPERIN (1668-1733) Quatrième concert for any combination of instruments in E major "Les Concerts Royaux" 1. Prélude: Gravement 2. Allemande: Legerement 3. Courante Françoise 4. Courante à l'Italiéne Performed by Le Concert des Nations Directed by Jordi Savall *Couperin's Preface: "These pieces are suitable not only for the harpsichord, but also the violin, the flute, the oboe, the viol and the bassoon. I wrote them for the little chamber concerts commanded by Louis XIV almost every Sunday throughout the year. The pieces were performed by Messieurs Duval [violinist], Philidor [oboist and bassoonist], Alarius [gambist], and Dubois [basoonist]: I myself played the harpsichord. In the hope that they will please the general public as they did the late King, I herewith publish several complete volumes"


Download sheet music online: François Antoine Habenech (Violin Concerto No.2 in E Major – Violin Solo Part,)

JS Bach: Concerto Pour 4 Pianos En La Mineur, BWV 1065 (ERATO, 1981) - Complete

Please note: As of late August 2010, I have started a new channel (davidhertzberg) to which I am uploading new music videos. If you want to receive notice of new uploads you might wish to subscribe to that channel. Thank you. --------------------------------------------------------------------------- Concerto Pour 4 Pianos En La Mineur, BWV 1065 by JS Bach. Michael Dalberto, 1er piano; Anne Queffelec, 2ème piano; Pascal Devoyon, 3ème piano; Jacques Gauthier, 4ème piano. Orchestre De Chambre conducted by Jean -Francois Paillard. An Erato recording, January 1981, serial number MCE 15558. Allegro - Largo - Allegro ---------------------------------------------------------------- More from Bach: Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 - youtube.com Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Adagio (Part 3) - youtube.com Albert Schweitzer, 1952: A Mighty Fortress Is Our God - Gunsbach, Alsace - youtube.com Huguette Dreyfus: Concerto Pour Clavecin En Ré Mineur, BWV 1052 (Bach) - Movement 1 - youtube.com Edith Picht-Axenfeld, 1968: Goldberg Variations, BWV 988 - Aria - Part 1 of 11 - youtube.com H. von Karajan, 1966, Brandenburg Concerto No. 2 in F major, BWV 1047 (Allegro assai) - youtube.com ? ????????? ???? ????? ? ????? ?????? ???? ??? ??????????? ??? ??????????? ????? ???????????: ??? ????? ??????? ??????????? ?? ????????? ? ???????????? ????????????. ??? ?????? ????? ? ??????? ??? ...

Heimweh II (O wüsst ich doch den Weg zurück), Op.63 No.8 (Johannes Brahms)

Johannes Brahms: "Heimweh II", Op.63,No.8 Fischer-Dieskau

Johannes Brahms (1833-1897) "Heimweh II", Op. 63, No. 8 Dietrich Fischer-Dieskau (baritone) Jörg Demus (piano) Brahms wrote three songs entitled "Heimweh" as part of his Op. 63. In each song, Brahms conveys the protagonist's longing for lost childhood. The second song, Op. 63, No. 8, is the most complex, with a beautifully yearning, chromatic melody heard only in the accompaniment to the slower and rhythmically repetitive vocal line. These represent, respectively, the emptiness of a deserted beach as a metaphor for the search for happiness and the bitter realization that there can be no return to the lost joy of childhood. Heimweh II O wüßt ich doch den Weg zurück, Den lieben Weg zum Kinderland! O warum sucht' ich nach dem Glück Und ließ der Mutter Hand? O wie mich sehnet auszuruhn, Von keinem Streben aufgeweckt, Die müden Augen zuzutun, Von Liebe sanft bedeckt! Und nichts zu forschen, nichts zu spähn, Und nur zu träumen leicht und lind; Der Zeiten Wandel nicht zu sehn, Zum zweiten Mal ein Kind! O zeig mir doch den Weg zurück, Den lieben Weg zum Kinderland! Vergebens such ich nach dem Glück, Ringsum ist öder Strand! Klaus Groth (1819-1899) Nostalgia II Oh, that I knew the way back, The blessed way to childhood! Why did I look for happiness And leave my mothers hand? Oh, how I long to rest, Woken by no struggle, To shut my tired eyes, Gently protected by love. To seek after nothing, to peer at nothing, Only lightly and gently to dream, Blind to the changes of time A second ...


You can download the score from the video: Heimweh II (O wüsst ich doch den Weg zurück), Op.63 No.8 (Johannes Brahms)

O wüsst ich doch den Weg zurück - Brahms

Sang by Gustavo W. Freccia Heimweh II - O wüsst ich doch den Weg zurück Johannes Brahms

Johannes Brahms (Serenade No.2 in A Major for Orchestra – Double Bass Part, Op.16)

Mozart Serenade No 10 In B Flat Major K 361 III Adagio

Mozart's serenade No. 10 "Gran Partita" written for 13 wind instruments.This is the third movement.


Digital music scores source: Johannes Brahms (Serenade No.2 in A Major for Orchestra – Double Bass Part, Op.16)

Cantata The Lively Hunt is All My Hearts Desire, BWV 208 (Johann Sebastian Bach)

Bach - Sheep may... safely graze ! ! ! ! ! ! ! (Sheep in danger!)

What an irony! (Scenes from the cartoon "Sheep Worrier" - YTuser "animaxy") Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208, also known as the Hunting Cantata, is a secular cantata composed in 1713 by Johann Sebastian Bach for the 35th birthday of Prince Christian of Saxen-Weißenfels. Aria 5, "Schafe können sicher weiden" (or "Sheep may safely graze"), is perhaps the most familiar part of this cantata. A normal performance lasts for about forty minutes. Personnel and Instruments: Diana, soprano I Pales, soprano II Endymion, tenor Pan, bass Chorus 2 horns, 2 recorders, 2 oboes, English horn, bassoon, 2 violins, viola, cello, violone, and continuo. Aria: "Schafe können sicher weiden" (orig. in B flat major, for soprano II with 2 recorders and continuo) Australian-born composer Percy Grainger wrote several free rambles on Bachs Sheep may safely graze. He first wrote Blithe Bells, (as he called his free ramble), for elastic scoring between November 1930 and February 1931. In March 1931, he scored a wind band version. It became one of his most famous arrangements. (inf. from Wikipedia)


Online source: Cantata The Lively Hunt is All My Hearts Desire, BWV 208 (Johann Sebastian Bach) sheet music

Bach: Sheep May Safely Graze

Edith Hanselman, music director and organist of Strathroy United Church, plays JS Bach's "Sheep May Safely Graze" as the offertory during the June 1, 2008 Sunday Service. Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208, also known as the Hunting Cantata, is a secular cantata by Johann Sebastian Bach. Aria 5, "Schafe können sicher weiden" (or "Sheep may safely graze"), is perhaps the most familiar part of this cantata.

Magnificat in D Major – Organ Part, BWV 243 - Johann Sebastian Bach

Hermann Prey - Magnificat in D major, BWV 243 - Johann Sebastian Bach

Johann Sebastian Bach, Magnificat in D major, BWV 243 5. Aria (Bass): "Quia fecit mihi magna" Bass (baritone): Hermann Prey Gewandhausorchester Leipzig: Kurt Thomas Recorded by Electrola in Thomaskirche, Leipzig, June and December 1959


Downloadable sheet music: Magnificat in D Major – Organ Part, BWV 243 - Johann Sebastian Bach

JS Bach - Deposuit potentes de sede / Magnificat, Es-dur BWV 243a (Ton Koopman)

Johann Sebastian Bach (1685~1750) Magnificat, Es-dur, BWV 243a (First Version, 1723) 11. Deposuit potentes de sede Jörg Dürmüller (tenor) Amsterdam Baroque Orchestra & Choir Ton Koopman (conductor)

Franz Liszt (Transcendental Etude No.6 Vision, S.139)

Franz Liszt S.139 - No.6 Vision (Lento)

Liszt Transcendental Etudes,S139-Vision (Leslie Howard)


Franz Liszt (Transcendental Etude No.6 Vision, S.139) sheet music is available for immediate download.

Claudio Arrau Liszt Transcendental Etudes No. 6 Vision

Claudio Arrau Liszt Transcendental Etudes No. 6 Vision In G minor

Johann Sebastian Bach - Sonata in E Minor for Violin and Harpsichord. Arrangement for String Orchestra and Organ, BWV 1023

Vivaldi Violin Concerto A Minor by Jerusalem Wall modeled Abbey Road Studio 1 Hi Fi Acoustics Score

Antonio Vivaldi, Violin Concerto in A Minor RV356 Op.3(6). Digitally performed at Abbey Road Studio One 1 on September 22, 2011, Foto of Jerusalem Wall and Rock 2/2/2010 However, Abbey Road Studios were not attended, the sound recoding was modelled by a computer program to simulate the acoustics of the Studio, and then manipulated to add Church ambience. Our recordings are 48 Khz, 16 bit 5.1 Surround, also separately mixed in Stereo to meet present yourtube soundtrack limitations. To listen to the alternative mix recording please view another video: youtube.com Free extras, ringtones, mobile mp4 iphone optimized videos and 5.1 surround sound and video files, and MIDI and Digital sheet music PDF printout files download are available for subscribers only. Composer: Antonio Vivaldi (4 March 1678 - 28 July 1741) Antonio Lucio Vivaldi nicknamed il Prete Rosso ("The Red Priest") because of his red hair, was an Italian Baroque composer, priest, virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe. Vivaldi is known mainly for composing instrumental concertos, especially for the violin, as well as sacred choral works and over 40 operas. His best known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi worked from 1703 ...


Sheet music for Johann Sebastian Bach - Sonata in E Minor for Violin and Harpsichord. Arrangement for String Orchestra and Organ, BWV 1023 is available for downloading in digital format.

Saint Francis of Assisi. Preaching to the Birds, for Organ, S.175 No.1 - Franz Liszt

Liszt: St. François d'Assisi, La prédication aux oiseaux, organ transcription

László Deák concert recording 2009


Online source: Saint Francis of Assisi. Preaching to the Birds, for Organ, S.175 No.1 - Franz Liszt sheet music

Johann Sebastian Bach (Double Concerto in D Minor, for Two Violins and Piano, BWV 1043)

Double Concerto in D minor, BWV 1043: Allegro (1) by Bach

********* Played by Capella Istropolitana Takako Nishizaki, violinist Alexander Jablokov, 2nd violin


Johann Sebastian Bach (Double Concerto in D Minor, for Two Violins and Piano, BWV 1043) sheet music is available for immediate download.

Bach / David and Igor Oistrakh, 1961: Double Concerto in D minor, BWV 1043 - Goossens, Malcolm

David and Igor Oistrakh are soloists, and Sir Eugene Goossens leads the Royal Philharmonic Orchestra of London, in this 1961 performance of Bach's Concerto for two violins, strings and continuo in D minor, BWV 1043. George Malcolm plays the harpsichord. From the LP you see above, issued in 1962 on the DG label, serial number 138 820. Jacket is at 5:08; label is at 13:04. Images of Bach and excerpts from the score (1:45, 12:09, 16:14) are interspersed throughout. Images from the reverse side of the LP jacket begin at 16:40. 1. Vivace 2. Largo ma non tanto (4:07) 3. Allegro (11:27) You can hear this father/son duo in a performance of this same work, recorded in 1957 with Rudolf Barshai conducting, here: youtube.com More from the Oistrakhs: Tartini / David Oistrakh / Yampolsky, 1950: Sonata in G minor - "Devil's Trill" - Complete- youtube.com Bruch / Igor Oistrakh, 1961: Concerto for Violin and Orchestra in G minor, Op. 26 - Complete - youtube.com Wieniawski / Igor Oistrakh, 1955: Violin Concerto No. 2 in D minor - Complete - youtube.com Franck / Oistrakh / Richter, 1968, Moscow: Sonata in A major for Violin and Piano, Complete - youtube.com More from Bach: Wolfgang Rübsam, 1975: Sechs Chorale von Verschiedener Art, BWV 645-650 - Indexed - youtube.comWanda Landowska, 1949: Prelude and Fugue No. 1 in C, BWV 846 - WTC, Book I - youtube.com Bach / Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Allegro assai - youtube.com ...

Le Coeur et la Main. Act III (Arrangement for Voices and Piano), by Charles Lecocq

Book 02 - Chapter 17 - A Tale of Two Cities by Charles Dickens

Book Two: The Golden Thread - Chapter 17: One Night. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Paul Adams. Playlist for A Tale of Two Cities by Charles Dickens: youtube.com


Download and print Le Coeur et la Main. Act III (Arrangement for Voices and Piano), by Charles Lecocq sheet music

Book 03 - Chapter 14 - A Tale of Two Cities by Charles Dickens

Book Three: The Track of a Storm - Chapter 14: The Knitting Done. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Paul Adams. Playlist for A Tale of Two Cities by Charles Dickens: youtube.com