Richard Wagner Tannhäuser Ouvertüre Leonard Bernstein New York Philharmonic part 1
now available in one part: youtube.com Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg, Ouvertüre - performed by the New York Philharmonic, conducted by Leonard Bernstein, recorded October 26, 1967 at Philharmonic Hall, now Avery Fisher Hall, Lincoln Center, New York City
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) ------------------------- Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach\'s Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Part 2 youtube.com
BEETHOVEN SYMPHONY NO 7 Ludwig van Beethoven[1] (baptized 17 December 1770[2]--26 March 1827) was a German[3] composer and pianist. The crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after becoming completely deaf. Symphony No. 7 (Beethoven) Ludwig van Beethoven\'s Symphony No. 7 in A major, Op. 92, in 1811, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries. At its debut, Beethoven was noted as remarking that it was one of his best works.[1] The second movement Allegretto was the most popular movement and had to be encored.[1] The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.[2] Premiere The work was premiered in Vienna on December 8, 1813 at a charity concert for soldiers wounded in the Battle of Hanau, with Beethoven himself conducting and double featured with the patriotic Wellington\'s Victory symphony ...
Ferenc Liszt (Text L. Horváth) Bartione: Adrian Eröd Klavier: Charles Spencer Text: Isten veled, Isten veled! Hajh! Tetoled messze távozom. Ah! De képed\' és szerelmed; Szümben hordozom. Lelkemet, lelkemet zálogul Vedd, csak szerelmet adj. Ah! De hivet hü szerelmet, Csak szerelmet adj. English: Fare thee well. I am going Far away, But in my heart you and the love I have for you Will stay. I now pledge my soul to you And hope the love you have for me is true. (or: Take my soul as pledge and as an exchange give me loyal love)
Julius Reubke (1834-1858) Piano Sonata b flat minor, Klaviersonate b-moll Part 1/3
Claudius Tanski, Mozarteum Salzburg, plays Julius Reubke(1834-1858): Klavier Sonate b-moll Sonata b flat minor (1856)1/3 for Piano moz.ac.at // Forthcoming MASTERCLASSES : 30th July -11th August 2012 , Salzburg, Sommerakademie , Univ. Mozarteum // privat masterclasses 3-5 days, 6-8 lessons in salzburg possible during whole year // CD´s : amazon.com/music or hbdirect.com (both with Audio examples) or mdg.de If you have any musical or technical questions please write to : claudius.tanski@moz.ac.at If I have time, I´ll try to answer. (Deutsch, English,Italiano) The Reubke Sonata is published as a reprint by Musikverlag J.Schuberth & Co Hamburg , JS Reprint 202 and there is also a profound and interesting new edition (with analyses and comments !) by Paolo Marzocci , who also plays the Sonata on Youtube. He plays it wonderful ! If you are interested in this kind of music , please also watch Felix Draeseke (1835-1913) Sonata op.6, c-sharp minor. Draeseke was a pupil of Liszt like Reubke (Draeseke is probably a name of French Origin - Hugenotten - and is still found for example in French Soccer Player Trezeguet - my own theory) On Youtube there are 2 versions of me playing the piece. One is a CD with the Sheet Music as Video, the other a TV Production (with an Interview of Alfred Brendel about the Draeseke Sonata) Das nachstehende Gedicht von Peter Cornelius (1824-1874) wurde unter dem Titel "Der Freunde Klage um Julius Reubke" eigens verlegt : BEIM TODE VON ...
Franz Liszt - Die Zelle in Nonnenwerth (für Violoncello und Klavier)
Die Zelle in Nonnenwerth (für Violoncello und Klavier) Julian Steckel, Violoncello Paul Rivinius, Klavier (...) Auch für Liszts künstlerisches Schaffen bedeutete der Aufenthalt auf Nonnenwerth eine Bereicherung. Von hier aus besuchte er Köln, Bonn, Koblenz und andere rheinische Städte, wo er mit seinem unvergleichlichen Klavierspiel ungezählte Menschen zur Begeisterung hinriß. Diese Konzerte waren oft der willkommene Anlaß, den berühmten Klaviervirtuosen enthusiastisch zu feiern. Als sich Liszt auf eine Einladung hin bereit erklärt hatte, ein Konzert zum Besten des Kölner Domes zu geben, holte ihn die Philharmonische Gesellschaft mit einem festlich geschmückten Dampfer ab. Am 22. August näherte sich der Dampfer um die Mittagsstunde der Insel. Wie L. Ramann in ihrer Liszt-Biographle schildert, zogen die dreihun-dertvierzig Philharmoniker, mit Bläsern an der Spitze, „in die Kapelle des Klosters, wo der kräftige, gut geschulte Männerchor ihn musikalisch begrüßte. In Rolandseck war das Festmahl vorbereitet. Es verfloß mit einer Heiterkeit und einem Enihusiasmus, wie vielleicht nur der weinbekränzte Rhein ihn kennt". Die Begeisterung erreichte ihren Höhepunkt bei einem von Liszt auf die Kölner Philharmoniker ausgebrachten Trinkspruch. Er feierte den Männergesang im allgemeinen und hob hervor, daß „kein Land etwas Ähnliches besitze wie die Liedertafeln Deutschlands und insbesondere die Liedertafeln am Rhein". — Nach dem Mahl kehrte man nach Nonnenwerth zurück, wo sich ...
Hideyo Harada plays Beethoven Tempest Sonata Op. 31 No. 2, 2nd Movement
L. v. Beethoven: Piano Sonata No. 17 in D minor, Op. 31 No. 2 \'TheTempest\' -- 2nd Movement [Live Recording] [Hideyo Harada - Piano] The album of Hideyo Harada with Lyric Pieces by Edvard Grieg has won her international acclaim and received outstanding reviews in major newspapers as well as in major music magazines including critic\'s awards like Supersonic Award (Pizzicato, Luxembourg), 10 of 10 points (ClassicsToday.com, US), 5 of 5 points and Recommendation by the editor (klassik.com, Germany). Then in November 2008 she presented her new CD with works by Tchaikovsky and Rachmaninov. In its April issue 2009 Gramophone Magazine awards the recording with a Gramophone recommends. Quote from the review: Two great Russian piano masterpieces in a subtle and soulful recording. Hideyo Harada offers a reading that thrills. In its March issue 2009 Le Monde de la musique awards the recording with the Highest Rating (4 Stars). Hideyo Harada was born in Japan and began her musical training in Tokyo with Toyoaki Matsuura. She then came to Europe, to continue studying with Lieselotte Gierth in Stuttgart, as well as with Hans Kann and Roland Keller in Vienna. Hideyo Harada achieved her musical maturity with Victor Merzhanov at the Tchaikovsky Conservatory in Moscow. She has received prizes in numerous competitions. In 1984, she won the Geneva International Music Competition (CIEM), in 1991 the 2nd prize at the competition Klaviermusik des 20. Jahrhunderts (piano music of the 20th century ...
Schubert D 959 Sonata Andantino Mitsuko Uchida.mp4
This Sonata movement is the most haunting I know by any composer and Mitsuko Uchida infuses it with the desperation yet the severity it requires. I have listened to this unbelievable artist twice at Carnegie Hall, the first time in April 2009 when she played among other works a Mozart Sonata and especially Schumann\'s daunting Fantasy Op 17, and the second time in October of that same year when she played Beethoven\'s last three sonatas with her customary intensity.
Composed by Mykola Leontovych (1877-1921) in 1916 Ukrainian Chamber Choir "Cantus" Choirmaster: Emil Sokach Hark! how the bells Sweet silver bells All seem to say, "Throw cares away." Christmas is here Bringing good cheer To young and old Meek and the bold Ding, dong, ding, dong That is their song With joyful ring All caroling One seems to hear Words of good cheer From ev\'rywhere Filling the air Oh how they pound, Raising the sound, O\'er hill and dale, Telling their tale, Gaily they ring While people sing Songs of good cheer Christmas is here Merry, merry, merry, merry Christmas Merry, merry, merry, merry Christmas On, on they send On without end Their joyful tone To ev\'ry home Ding, dong, ding, dong. ??????? ????????? (1877-1921) - "??????" ?????????? ???????? ??? "Cantus" ???. ???????????? ????? ?????
???????? ??? ????? "Carol of the Bells" Chamber choir of MITHT "Carol of the Bells" Peter W.Wilhousky and M.Leontovich Arranged by Ken Malucell and Deke Sharon Hark! how the bells Sweet silver bells All seem to say, "Throw cares away." Christmas is here Bringing good cheer To young and old Meek and the bold Ding, dong, ding, dong That is their song With joyful ring All caroling One seems to hear Words of good cheer From ev\'rywhere Filling the air Oh how they pound, Raising the sound, O\'er hill and dale, Telling their tale, Gaily they ring While people sing Songs of good cheer Christmas is here Merry, merry, merry, merry Christmas Merry, merry, merry, merry Christmas On, on they send On without end Their joyful tone To ev\'ry home Ding, dong, ding, dong. Composed by Mykola Dmytrovych Leontovych (1877-1921) in 1916. Originally titled Shchedryk, this Ukranian folk song is about a sparrow and the bountiful year that awaits a family. It was first performed in the Ukraine on the night of January 13, 1916, on the Julian calendar this is considered New Year\'s Eve. In the United States the song was first performed on October 5, 1921 at Carnegie Hall. Carol of the Bells, also known as the Ukrainian Carol, was adapted from Shchedryk by Mykola Leontovych (1877-1921), which was first performed in December 1916 by students at Kiev University. The original Ukrainian song is based on an old Slavic legend that every bell in the world rang in honour of Jesus on the night of his birth.