Introduction and Polonaise brillante, op.3 (Frédéric Chopin)

Chopin Introduction and Polonaise Brillante op. 3

Chopin Introduction and Polonaise Brillante op. 3 for Cello and Piano November 2009 Kilbourn Hall Minyoung Kang, piano Grace An, cello


Introduction and Polonaise brillante, op.3 (Frédéric Chopin) sheet music is available online.

Chopin Introduction et Polonaise Brilliante op 3

Chamber music concert in the Foye of the Mariinsky theatre, 3 October 2009. Georgy Tleubaev (cello), Tatiana Brizhaneva (piano)

Weber: Six pieces, op.10

Debussy\'s Greatest Hits!

A selection of excerpts from the most popular and well-known pieces of Claude Debussy, who features at number six in the list of the top ten greatest composers of all time (see Top 10 Composers Ever (Part 5). The selection includes excerpts from Debussy\'s Reverie, Claire de Lune (which features in the movies Ocean\'s Eleven and Twilight), La Mer, Afternoon of a Faun, and Pelleas and Melisande.


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RCT3 - TAKABISHA ???, Fuji-Q Highland 2011

An Eurofighter Roller Coaster at Fuji-Q Highland, Japan which built in year 2011. I built it using Roller Coaster Tycoon 3 during a week of holidays. It looks a little bit not as same as the real one because RCT3 does not have some track pieces. It is the steepest roller coaster in the world! A height 43m, 121 degrees drop and 7 inversions ! Enjoy ! =D Music : Naruto Shippuden OST - Heaven Shaking Event Coaster : DasMatze\'s Eurofighter, Gerstlauer Eurofighter CSO (custom scenery objects) used : JCat\'s SteelWorx , JCat\'s BLOX , JCat\'s DarkRide Set , Ark-Angel\'s LIMS , ImagineerJohn\'s Animated Tubes & Objects, ImagineerJohn\'s Animated Coaster Kit , Edward\'s Friction Wheels, Shyguy\'s Billboard Inserts , SK - HGR71 , SK -- SHR91 , SK -- Canopy 101 , Gadget Coaster Goodies , Odys Coaster Goodies V.3 , Zeppelin\'s Launch Fin , Shadow\'s Coasternets , Moby\'s Steel Jungle , M&P Coal Mine , Weber Aged Footers , Ynor9\'s Control Room Minimoe14 had already built it using No Limits Simulation. It is my turn to build it using RCT3! Thanks for watching! =D Special Thanks to : purplefinale, minimoe14 & Fuji-Q Highland Music owned by Naruto Shippuden OST Picture in 5:02 owned by fujiq.jp This video\'s original music was One Piece opening 13 - One day (Instrumental) by The Rootless. I switched it because I afraid of the copyright from Avex Entertainment Inc. You can still watch it with the original music First, you mute my video. Then, open this page youtube.com You will see the music ...

Liszt - Wie singt die Lerche schon

Great Expectations: John Mills, Jean Simmons, Alec Guinness, Valerie Hobson (1946 Movie)

DVD: amazon.com thefilmarchive.org Great Expectations is a 1946 British film which won two Academy Awards and was nominated for three others (best picture, best director and best screenplay). It was directed by David Lean, based on the novel by Charles Dickens and stars John Mills, Valerie Hobson, Finlay Currie, Martita Hunt and Alec Guinness. Jean Simmons, who played the role of the young Estella in the film, later played Miss Havisham in a 1989 version directed by Kevin Connor. The script, a slimmed-down version of Dickens\' novel which had been inspired after seeing an abridged stage version of the novel, in which Guinness (responsible for the adaptation) played Herbert Pocket and Martita Hunt was Miss Havisham -- casting that was carried over into the film - was written by Anthony Havelock-Allan, David Lean, Cecil McGivern, Ronald Neame and Kay Walsh. The film was produced by Ronald Neame and photographed by Guy Green.[1] It was the first of two films Lean directed based on Dickens\' novels, the other being his 1948 adaptation of Oliver Twist. Cast * John Mills as Pip as an adult * Jean Simmons as Estella as a girl * Valerie Hobson as Estella as an adult * Martita Hunt as Miss Havisham * Finlay Currie as Abel Magwitch * Francis L. Sullivan as Mr. Jaggers * Bernard Miles as Joe Gargery * Alec Guinness as Herbert Pocket as an adult * Anthony Wager as Pip as a boy * John Forrest as Herbert Pocket as a boy * Freda Jackson as Mrs. Joe Gargery * Ivor Barnard as Mr ...


Digital sheet music source: Liszt - Wie singt die Lerche schon

Chapter 01-3 - Walden by Henry David Thoreau

Chapter 1: Economy -Part 3. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Gord Mackenzie. Playlist for Walden by Henry David Thoreau: youtube.com

Franz Schubert - op.53 D.850

Schubert - Sonata in D major D 850, Op.53, No.1 Allegro vivace

Plenty Holes, Sioux Indian in feather headress and bone breastpiece. 1900 Creator: Heyn & Matzen


You can download the sheet music from the video: Franz Schubert - op.53 D.850

Schubert - Sonata in D major D 850, Op.53, No.2 Con moto

O Che Che, Mohave Indian woman. 1903 Creator: Curtis, Edward S.

Tannhauser. March., by Richard Wagner

Richard Wagner Tannhäuser Ouvertüre Leonard Bernstein New York Philharmonic part 1

now available in one part: youtube.com Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg, Ouvertüre - performed by the New York Philharmonic, conducted by Leonard Bernstein, recorded October 26, 1967 at Philharmonic Hall, now Avery Fisher Hall, Lincoln Center, New York City


Tannhauser. March., by Richard Wagner sheet music is available for immediate download.

Tannhauser Overture-Wagner/Leibowitz/Part-1 of 2

Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) ------------------------- Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach\'s Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Part 2 youtube.com

Carl Maria von Weber - Six pieces, op.3

BEETHOVEN SYMPHONY NO 7 IN HD.

BEETHOVEN SYMPHONY NO 7 Ludwig van Beethoven[1] (baptized 17 December 1770[2]--26 March 1827) was a German[3] composer and pianist. The crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after becoming completely deaf. Symphony No. 7 (Beethoven) Ludwig van Beethoven\'s Symphony No. 7 in A major, Op. 92, in 1811, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries. At its debut, Beethoven was noted as remarking that it was one of his best works.[1] The second movement Allegretto was the most popular movement and had to be encored.[1] The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.[2] Premiere The work was premiered in Vienna on December 8, 1813 at a charity concert for soldiers wounded in the Battle of Hanau, with Beethoven himself conducting and double featured with the patriotic Wellington\'s Victory symphony ...


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Isten veled by Liszt

Liszt - Isten Veled

Ferenc Liszt (Text L. Horváth) Bartione: Adrian Eröd Klavier: Charles Spencer Text: Isten veled, Isten veled! Hajh! Tetoled messze távozom. Ah! De képed\' és szerelmed; Szümben hordozom. Lelkemet, lelkemet zálogul Vedd, csak szerelmet adj. Ah! De hivet hü szerelmet, Csak szerelmet adj. English: Fare thee well. I am going Far away, But in my heart you and the love I have for you Will stay. I now pledge my soul to you And hope the love you have for me is true. (or: Take my soul as pledge and as an exchange give me loyal love)


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Liszt:Magyar Dalok/Rapszodiak n.22

Wo weilt er? - Liszt

Julius Reubke (1834-1858) Piano Sonata b flat minor, Klaviersonate b-moll Part 1/3

Claudius Tanski, Mozarteum Salzburg, plays Julius Reubke(1834-1858): Klavier Sonate b-moll Sonata b flat minor (1856)1/3 for Piano moz.ac.at // Forthcoming MASTERCLASSES : 30th July -11th August 2012 , Salzburg, Sommerakademie , Univ. Mozarteum // privat masterclasses 3-5 days, 6-8 lessons in salzburg possible during whole year // CD´s : amazon.com/music or hbdirect.com (both with Audio examples) or mdg.de If you have any musical or technical questions please write to : claudius.tanski@moz.ac.at If I have time, I´ll try to answer. (Deutsch, English,Italiano) The Reubke Sonata is published as a reprint by Musikverlag J.Schuberth & Co Hamburg , JS Reprint 202 and there is also a profound and interesting new edition (with analyses and comments !) by Paolo Marzocci , who also plays the Sonata on Youtube. He plays it wonderful ! If you are interested in this kind of music , please also watch Felix Draeseke (1835-1913) Sonata op.6, c-sharp minor. Draeseke was a pupil of Liszt like Reubke (Draeseke is probably a name of French Origin - Hugenotten - and is still found for example in French Soccer Player Trezeguet - my own theory) On Youtube there are 2 versions of me playing the piece. One is a CD with the Sheet Music as Video, the other a TV Production (with an Interview of Alfred Brendel about the Draeseke Sonata) Das nachstehende Gedicht von Peter Cornelius (1824-1874) wurde unter dem Titel "Der Freunde Klage um Julius Reubke" eigens verlegt : BEIM TODE VON ...


You can download the sheet music from the video: Wo weilt er? - Liszt

Franz Liszt - Die Zelle in Nonnenwerth (für Violoncello und Klavier)

Die Zelle in Nonnenwerth (für Violoncello und Klavier) Julian Steckel, Violoncello Paul Rivinius, Klavier (...) Auch für Liszts künstlerisches Schaffen bedeutete der Aufenthalt auf Nonnenwerth eine Bereicherung. Von hier aus besuchte er Köln, Bonn, Koblenz und andere rheinische Städte, wo er mit seinem unvergleichlichen Klavierspiel ungezählte Menschen zur Begeisterung hinriß. Diese Konzerte waren oft der willkommene Anlaß, den berühmten Klaviervirtuosen enthusiastisch zu feiern. Als sich Liszt auf eine Einladung hin bereit erklärt hatte, ein Konzert zum Besten des Kölner Domes zu geben, holte ihn die Philharmonische Gesellschaft mit einem festlich geschmückten Dampfer ab. Am 22. August näherte sich der Dampfer um die Mittagsstunde der Insel. Wie L. Ramann in ihrer Liszt-Biographle schildert, zogen die dreihun-dertvierzig Philharmoniker, mit Bläsern an der Spitze, „in die Kapelle des Klosters, wo der kräftige, gut geschulte Männerchor ihn musikalisch begrüßte. In Rolandseck war das Festmahl vorbereitet. Es verfloß mit einer Heiterkeit und einem Enihusiasmus, wie vielleicht nur der weinbekränzte Rhein ihn kennt". Die Begeisterung erreichte ihren Höhepunkt bei einem von Liszt auf die Kölner Philharmoniker ausgebrachten Trinkspruch. Er feierte den Männergesang im allgemeinen und hob hervor, daß „kein Land etwas Ähnliches besitze wie die Liedertafeln Deutschlands und insbesondere die Liedertafeln am Rhein". — Nach dem Mahl kehrte man nach Nonnenwerth zurück, wo sich ...

Sonata No.17 (1st and 2nd Movement) by Schubert

Hideyo Harada plays Beethoven Tempest Sonata Op. 31 No. 2, 2nd Movement

L. v. Beethoven: Piano Sonata No. 17 in D minor, Op. 31 No. 2 \'TheTempest\' -- 2nd Movement [Live Recording] [Hideyo Harada - Piano] The album of Hideyo Harada with Lyric Pieces by Edvard Grieg has won her international acclaim and received outstanding reviews in major newspapers as well as in major music magazines including critic\'s awards like Supersonic Award (Pizzicato, Luxembourg), 10 of 10 points (ClassicsToday.com, US), 5 of 5 points and Recommendation by the editor (klassik.com, Germany). Then in November 2008 she presented her new CD with works by Tchaikovsky and Rachmaninov. In its April issue 2009 Gramophone Magazine awards the recording with a Gramophone recommends. Quote from the review: Two great Russian piano masterpieces in a subtle and soulful recording. Hideyo Harada offers a reading that thrills. In its March issue 2009 Le Monde de la musique awards the recording with the Highest Rating (4 Stars). Hideyo Harada was born in Japan and began her musical training in Tokyo with Toyoaki Matsuura. She then came to Europe, to continue studying with Lieselotte Gierth in Stuttgart, as well as with Hans Kann and Roland Keller in Vienna. Hideyo Harada achieved her musical maturity with Victor Merzhanov at the Tchaikovsky Conservatory in Moscow. She has received prizes in numerous competitions. In 1984, she won the Geneva International Music Competition (CIEM), in 1991 the 2nd prize at the competition Klaviermusik des 20. Jahrhunderts (piano music of the 20th century ...


Digital music scores source: Sonata No.17 (1st and 2nd Movement) by Schubert

Schubert D 959 Sonata Andantino Mitsuko Uchida.mp4

This Sonata movement is the most haunting I know by any composer and Mitsuko Uchida infuses it with the desperation yet the severity it requires. I have listened to this unbelievable artist twice at Carnegie Hall, the first time in April 2009 when she played among other works a Mozart Sonata and especially Schumann\'s daunting Fantasy Op 17, and the second time in October of that same year when she played Beethoven\'s last three sonatas with her customary intensity.

Sonata for piano No.10, (Mozart)

Horowitz - Mozart Sonata in C Major K. 330; 2nd Movement

Moscow 1986


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Ray (8) Plays Mozart Sonata No.10 K330 C Major 1st Movement Allegro Moderato

Ray Ushikubo plays Mozart Sonata No.10 K330 C Major 1st Movement Allegro Moderato International Russian Music Piano Competition 6/5/2010

Mykola Leontovich: Ukrainian folk songs

Leontovych - "Carol of the Bells"

Composed by Mykola Leontovych (1877-1921) in 1916 Ukrainian Chamber Choir "Cantus" Choirmaster: Emil Sokach Hark! how the bells Sweet silver bells All seem to say, "Throw cares away." Christmas is here Bringing good cheer To young and old Meek and the bold Ding, dong, ding, dong That is their song With joyful ring All caroling One seems to hear Words of good cheer From ev\'rywhere Filling the air Oh how they pound, Raising the sound, O\'er hill and dale, Telling their tale, Gaily they ring While people sing Songs of good cheer Christmas is here Merry, merry, merry, merry Christmas Merry, merry, merry, merry Christmas On, on they send On without end Their joyful tone To ev\'ry home Ding, dong, ding, dong. ??????? ????????? (1877-1921) - "??????" ?????????? ???????? ??? "Cantus" ???. ???????????? ????? ?????


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Carol of the Bells

???????? ??? ????? "Carol of the Bells" Chamber choir of MITHT "Carol of the Bells" Peter W.Wilhousky and M.Leontovich Arranged by Ken Malucell and Deke Sharon Hark! how the bells Sweet silver bells All seem to say, "Throw cares away." Christmas is here Bringing good cheer To young and old Meek and the bold Ding, dong, ding, dong That is their song With joyful ring All caroling One seems to hear Words of good cheer From ev\'rywhere Filling the air Oh how they pound, Raising the sound, O\'er hill and dale, Telling their tale, Gaily they ring While people sing Songs of good cheer Christmas is here Merry, merry, merry, merry Christmas Merry, merry, merry, merry Christmas On, on they send On without end Their joyful tone To ev\'ry home Ding, dong, ding, dong. Composed by Mykola Dmytrovych Leontovych (1877-1921) in 1916. Originally titled Shchedryk, this Ukranian folk song is about a sparrow and the bountiful year that awaits a family. It was first performed in the Ukraine on the night of January 13, 1916, on the Julian calendar this is considered New Year\'s Eve. In the United States the song was first performed on October 5, 1921 at Carnegie Hall. Carol of the Bells, also known as the Ukrainian Carol, was adapted from Shchedryk by Mykola Leontovych (1877-1921), which was first performed in December 1916 by students at Kiev University. The original Ukrainian song is based on an old Slavic legend that every bell in the world rang in honour of Jesus on the night of his birth.

Symphony No.1 (Beethoven)

Beethoven Symphony No. 1, First Movement

Astoria Symphony (NYC), conducted by Silas Nathaniel Huff, recorded live in October 2009


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Beethoven: Symphony No. 1 - 4th Movement

Beethoven\'s 1st Symphony in C major 4: Finale: Adagio - Allegro molto e vivace Josef Krips conducting the London Symphony Orchestra

Beethoven's Symphony No. 1 No. 9 information about it?????

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Well i am a little classical guru myslef. You obviously know it is by beethoven. i dont know much about those two i normally focus on tchakisovy, and vivaldi. Umm b's 9th was his last symphony, and b 1'st was his first symphony lol. Sry for not being able to be more helpful. check out wikipedia.com

Beethoven's Symphony No. 1 in C Major (Op. 21) was written in 1799–1800. The symphony premiered April 2, 1800 at the K.K. Hoftheater nächst der Burg in Vienna, and is dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig.The opening of the first movement is often considered a musical joke, but it may simply be a result of Beethoven's experimentation: it consists of a sequence of dominant-tonic chord sequences in the wrong key, so that the listener only gradually realizes the real key of the symphony. The labeled "Andante" of the second movement is played considerably fast, very much unlike the general concept of Andante. The third movement is remarkable in that although it is marked Menuetto, it is so fast that its ostensibly a Scherzo. The finale opens with another (possible) joke; the adagio consists of slowly-played partial scales before the full C-major scale marks the start of the allegro.

Who composed Symphony no.1? Is anyone able to tell me the composer who composed a 'Symphony no. 1' was? All I know is that it was his only popular work and no subsequent compositions were ever as good, leading him to resent that piece.The answer is NOT Beethoven, Tchaikovsky or Mahler. mephistopheles, the statement that none of his subsequent pieces were as good is a common assumption, not my personal opinion.Thank you to everyone who answered.
For the life of me I can't fathom who you could possibly mean,Prokofiev's 1st Symphony 'the Classical' perhaps? or Cesar Frank as has been already suggested? though your statement that it was their 'only popular work and no subsequent compositions were ever as good' would surely not absolutely hold true in either case..Incidentally where does this evaluation stem from? Either way I'm almost sure it must refer to one of the minor or lesser known composers.However I am shocked and dumbfounded that someone ventured forth Brahms.What!How thoroughly and utterly insane..
Robert Schumann, this symphony is also known as "Spring"
What are some of your favorite symphonies? What are some of your favorite symphonies? These are some of my favorites:Mozart Symphony No.17 in G major (1st Movement)~youtube.com/watch?v=9mkuzbzp9kE&feature=relatedMozart Symphony No.25 in G Minor (1st Movement)~youtube.com/watch?v=7lC1lRz5Z_sMozart Symphony No.29 in A Major (1st Movement)~youtube.com/watch?v=l0eZYpxsk1AMozart Symphony No.31 in D Major "Paris" (1st Movement)~youtube.com/watch?v=Sq0kOPlLPysMozart Symphony No.38 in D Major "Prague" (1st Movement)~youtube.com/watch?v=IulPPkoU03k&feature=relatedMozart Symphony No.39 in Eb Major (1st Movement)~youtube.com/watch?v=Ih652EGOVssMozart Symphony No.40 in G Minor (1st Movment)~youtube.com/watch?v=aZD9nt_wsY0Mozart Symphony No.41 in C Major "Jupiter" (1st Movement)~youtube.com/watch?v=noAPeUlOjfc&feature=relatedBeethoven Symphony No.1 in C Major~youtube.com/watch?v=yvJqiURF0hcBeethoven Symphony No.5 in C Minor (1st Movement)~youtube.com/watch?v=zhcR1ZS2hVoWhat are yours?LindseyJay (TYO)~ I actually havn't heard Mendelssohn's 4th Symphony before. Thanks for listing that one, I really like it.del_icious_manager~ Thanks for listing all of those symphonies.I'm going to send the question to a vote because I can't choose between Jay's (TYO) answer and del_icious_manager's answer.
Like you:Mozart Symphony No.40,41 (They are all lovely, really.)My favorite are Beethoven's symphonies, I listen to them all the time. The 5th is probably my favorite, but I adore them all.Here are some others:Schubert Symphony No.5 youtube.com/watch?v=xL4P1xjsiuo (Almost sounds Mozartian)Mendelssohn Symphony No.4, Italianyoutube.com/watch?v=KhstAEaWBl4 (really recommend this one if you haven't heard it)Tchaikovsky Symphony No.4youtube.com/watch?v=S-c1LLZaVCATchaikovsky Symphony No.6youtube.com/watch?v=O1KCy3l-AQgDvorak Symphony No.9youtube.com/watch?v=-pLIBWyFBIg (3rd movement with homage to Beethoven's 9th)

Huge fan of Beethoven's 3rd, "Eroica", first movement. All of those syncopations and that first inversion Fmaj7 chord in the development gives me goosebumps every time.I also adore Beethoven 1, 5, 9 and Haydn's 92 (Oxford)

Oh dear, I'm something of a 'symphony freak'. I adore them. I have over a thousand of them in my collection and so picking a few 'favourites' becomes quite difficult. Here goes, in no particular order except alphabetical:Kalevi Aho - No 11Malcolm Arnold - No 5 (or No 4 - I can't decide)Ludwig van Beethoven - Nos 3, 4, 7, 9Benjamin Britten - Sinfonia da RequiemAnton Bruckner - No 9Michael Daugherty - Metropolis SymphonyHenri Dutilleux - No 2 ('Le double')Joseph Haydn - No 64 ('Tempora mutantur')Vagn Holmboe - No 7 ('Sinfonia boreale')Arthut Honegger - No 3 ('Symphonie liturgique')Vasily Kallinnikov - No 2Joseph Martin Kraus - in E flat VB 144Rued Langgaard - No 11 ('Ixion')Gustav Mahler - No 9Leevi Madetoja - No 2Bohuslav Martin? - No 6 ('Fantaisies symphoniques')Carl Nielsen - No 5Wolfgang Amadeus Mozart - Nos 21, 25, 38, 41Nikolai Myaskovsky - Nos 6, 27Sergei Prokofiev - Nos 3 and 6Sergei Rakhmaninov - No 1Franz Schmidt - No 4William Schuman - No 5Rodion Shchedrin - No 1Dmitri Shostakovich - Nos 4 and 8Jan Sibelius - No 4Robert Simpson - No 5Pyotr' Tchaikovsky - Nos 3 ('Polish') and 6 ('Pathétique)Ralph Vaughan Williams - No 6William Walton - No 1Kurt Weill - No 2Mieczys?aw Weinberg (Moisei Vainberg) - No 4

Beethoven's 3rd, 6th and 7thMahler's 2nd, 3rd and 9thSibelius Nos. 2, 4 and 7Vaughan-Williams Nos. 5 and 6Bruckner's 8th and 9thShostakovich Nos. 4 and 8Tchaikovsky's 6th in B minorGorecki No. 3 "Symphony of Sorrowful Songs"Brahms No. 3 in F

Mahler 6,7,9Franck 1Shostakovitch 5,7,10,14Bruckner 5,6,7,8,9Schubert 8,9Korngold 1All 9 Beethoven symphonies are great

Symphony No.1, op.21 - Beethoven

Beethoven / Herbert von Karajan, 1954: Symphony No. 1 in C Major, Op. 21 - Complete

Forty-six year oldHerbert von Karajan (1908-1989) leads the Philharmonia Orchestra in this 1954 recording of the Beethoven first symphony in C major, Op. 21. I created this video from the LP shown above, issued in 1954 on the Angel label, serial number 35097 (British pressing). Except for those from the 1954 Billboard magazine review (5:30) of this LP, all images used to create this video were taken from the LP label and jacket (13:29). In order to remove all doubt in the minds of those listening to these works, I use such images to establish the credibility of the source of these and similarly rare and historic recordings. Movement 1: Adagio molto —Allegro con brio Movement 2: Andante cantabile con moto (7:22) Movement 3: Menuetto: Allegro molto e vivace (13:28) Movement 4: Adagio—Allegro molto e vivace (17:08) From the reverse side of this LP: Beethoven / Herbert von Karajan, 1954: Overture, "Leonora, No. 3" Op. 72a - Philharmonia Orchestra - youtube.com ------------------------------------------- All my early von Karajan: youtube.com ------------------------------------------- More from Beethoven: Beethoven / Gilels / Szell, 1968: Piano Concerto in G major, Op. 58 - Complete - youtube.com Beethoven / Sviatoslav Richter / Kurt Sanderling, 1962: Piano Concerto in C minor, Op. 37 - Complete - youtube.com Leonid Hambro, 1970: "Happy Birthday Dear Ludwig" - Variations in The Style of Beethoven - youtube.com Fur Elise - Wilhelm Kempff: youtube.com Fur ...


Digital sheet music source: Symphony No.1, op.21 - Beethoven

Georg Solti/Beethoven Symphony No.1 in C Major, Op.21 3rd Menuetto, Allegro molto e vivace

Georg Solti/Beethoven Symphony No.1 in C Major, Op.21 3rd Menuetto, Allegro molto e vivace old vinyl Please comment. It will encourage me to post more original vinyl classical music. Ludwig van Beethoven Symphony No.1 in C Major, Op.21 Menuetto, Allegro molto e vivace Chicago Symphony/ Georg Solti an operbathosa video

Wolfgang Amadeus Mozart (Lieder)

Das Lied der Trennung. Wolfgang Amadeus Mozart.

Das Lied der Trennung. Wolfgang Amadeus Mozart. Alessio Nicolavcich Gioitti - voce Roberta Baviera - piano 2005 text: DAS LIED DER TRENNUNG Die Engel Gottes weinen, wo Liebende sich trennen, wie werdich leben können, o Mädchen, ohne dich? Ein Fremdling allen Freuden, lebich fortan dem Leide. Und du? Vielleicht auf ewig vergißt Luisa mich, vergißt sie mich. Ich kann sie nicht vergessen, an allen, Enden, verfolgt von ihren Händen ein Druck der Liebe mich. Ich zittre, sie zu fassen, und finde mich verlassen. Und du? Vielleicht auf ewig vergißt Luisa mich, vergißt sie mich. Ich kann sie nicht vergessen, dies Herz, von ihr geschnitten, scheint seufzend mich zu bitten:o Freund, gedenkan mich! Ach! Dein will ich gedenken, bis sie ins Grab mich senken. Und du? Vielleicht auf ewig vergißt Luisa mich, vergißt sie mich. Vergessen raubt in Stunden, was Liebe jahrlang spendet. Wie eine Hand sich wendet, so wenden Herzen sich. Wenn neue Huldigungen mein Bild bei ihr verdrungen, o Gott! Vielleicht auf ewig vergißt Luisa mich, vergißt sie mich. Ach denk an unser Scheiden! Dies tränenlose Schweigen, dies Auf- und Niedersteigen des Herzens drücke dich wie schweres Geisterscheinen, wirst du wen anders meinen, wirs du mich einst vergessen Gott und dich. Ach denk an unser Scheiden!Dies Denkmal, unter Küssen auf meinen Mund gebissen, das richte mich und dich.Dies Denkmal auf dem Munde, komm ich zur Geisterstunde, mich warnend anzuzeigen, Vergißt Luisa mich, komm ich mich warnend anzuzeigen ...


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Singt dem grossen Bassa Lieder - Wolfgang Amadeus Mozart (Die Entführung aus dem Serail)

Singt dem grossen Bassa Lieder - Wolfgang Amadeus Mozart (Die Entführung aus dem Serail)

Frédéric Chopin (op.25 No.7)

ALFRED CORTOT - Chopin Etude no.7 op.25

ALFRED CORTOT - Chopin Etude no.7 op.25


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Maria João Pires - Chopin; Etude Op.25, No.7

Fryderyk Chopin - Etude No.19 in C sharp minor, Op.25, No.7 (arr. A. Glazunov) vc:Pavel Gomziakov

Frédéric Chopin: op.29

Fryderyk Chopin - impromptu nr 1 As-dur, op.29

by Bella Davidovich - 1981


Digital music scores source: Frédéric Chopin: op.29

yuja wang plays chopin op.29 impromptu.FLV

yuja wang played a lot of songs in the concert she had when she was little. i found this one in a chinese website, but it\'s not in youtube.

op.10 No.12 - Frédéric Chopin

Chopin - Étude Op. 10 No. 12 in C minor "Revolutionary"

Étude Op. 10, No. 12 in C minor known as The Revolutionary Étude, is a solo piano work by Frédéric Chopin written circa 1831. It is the 12th of his first set of etudes - "Douze Grandes Etudes" dedicated to "son ami Franz Liszt" (his friend Franz Liszt). The two sets of Études, Opus 10 and 25, are known collectively as the Chopin Études, although Chopin also contributed three other lesser known études (the Trois Nouvelles Études). History The étude appeared around the same time as the November Uprising in 1831. Chopin was unable to have a strong participating role because of his poor health, and allegedly he poured his emotions on the matter into many pieces that he composed at that time - the Revolutionary Étude standing out as the most notable example. Upon conclusion of Poland\'s failed revolution against Russia, he cried "All this has caused me much pain. Who could have foreseen it!" Unlike études of prior periods (works designed to emphasize and develop particular aspects of musical technique, cf the much feared but essential School of Velocity, or the Five Finger Exercises by Hanon) the romantic études of composers such as Chopin and Liszt are fully developed musical concert pieces, but still continue to represent a goal of developing stronger technique Technique In the case of The Revolutionary Étude, the technique required in the opening bars is playing an extremely fast, long and loud descending harmonic minor scale mainly in the left hand. The length and the ...


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Richter plays Chopin Etude Op. 10 No. 12

Richter plays chopin

Frédéric Chopin - Ballade, op.52

Ashkenazy plays Chopin Ballade No.4 in F minor Op.52 - (1/2)

Vladimir Davidovich Ashkenazy,Piano Frédéric Chopin


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Hyun-Kyung Chun Chopin Ballade op.52

Hyun-Kyung Chun plays Chopin Ballade op.52. A beautiful combination of technique and musical expression captured in a studio performance. Recorded November 18, 2010 and presented without editing.

Rondo a la Mazur, op.5 - Chopin

Daniil Trifonov - Chopin Rondo a la Mazur op. 5

XVI International Chopin Piano Competition 2010 (Round III) - Daniil Trifonov - Chopin Rondo a la Mazur op. 5


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Lilya Zilberstein: Rondo à la Mazur in F, Op.5 (Chopin)

Lilya Zilberstein performs Chopin\'s Rondo à la Mazur in F, Op. 5.

Frédéric Chopin (Ballade)

Zimerman plays Chopin Ballade No. 2

Zimerman plays Chopin!


Frédéric Chopin (Ballade) sheet music is available for downloading in digital format.

Zimerman plays Chopin Ballade No. 4 - Part 1

Zimerman plays the most beautiful piece ever: Ballade No. 4

Sonata No.1 in C Minor, op.4 - Chopin

Chopin - Sonata No.1 Op.4 IV. Finale - Presto

Pianist- Vladimir Ashkenazy


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Chopin Piano Sonata No 1 in C minor, Op 4, II Menuetto Idil Biret

op.28 No.24 (Chopin)

Chopin Prelude Op.28 No.24 D Minor Allegro Appassionato The Storm ?????

Free Piano Video - Please send your request to alanchan1024@hotmail.com (MSN and Facebook). Also send through music sheet in pdf if available. Watch my other videos of Alkan, Bach, Beethoven, Burgmuller, Chopin, Czerny, Debussy, Godowsky, Heller, Horowitz, Kabalevsky, Mozart, Liszt, Mendelssohn...


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Ivo Pogorelich Chopin Prelude Op 28 No. 24

Ivo Pogorelich Chopin Prelude Op 28 No. 24 D minor

Chopin (op.28 No.1)

Chopin Prelude Op.28 No.1 in C Major Agitato Martha Argerich

Chopin Prelude Op.28 No.1 in C Major Agitato Martha Argerich


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Chopin - Prelude Op. 28 No. 1 in C major (Cortot)

The legendary Alfred Cortot plays Prelude no 1. in C major from 24 Preludes Op. 28 by Frederic Chopin. For more great, scored videos, check out my channel!

Chopin (op.28 No.12)

Chopin - Prelude Op. 28 No. 12 in g sharp minor (Cortot)

The legendary Alfred Cortot plays Prelude no 12. in g sharp minor from 24 Preludes Op. 28 by Frederic Chopin. For more great, scored videos, check out my channel!


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Rafal Blechacz - Prelude op. 28 no. 12

From Chopin Piano Competition in 2005 Played by Rafal Blechacz

op.15 No.3 by Frédéric Chopin

Pollini plays Chopin Nocturne op.15 no.3

Composer : Frédéric Chopin ( 1 March 1810 - 17 October 1849 ) . Composition : Nocturne in G minor (1833) op.15 no.3 Interpreter : Maurizio Pollini ( 5 Jenuary 1942 ) . Interpreter : Maurizio Pollini ( 5 Jenuary 1942 ) .


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Arthur Rubinstein - Chopin Nocturne No 3, Op 15 in G

Arthur Rubinstein - Chopin Nocturne No 3, Op 15 in G

Frédéric Chopin: Polonaise, op.53

Chopin - Polonaise Op.53 (Argerich)

Argerich plays chopin polonaise op.53


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Chopin - Polonaise, Op. 53 (Kissin)

Polonaise, Op. 53 Evgeny Kissin, piano The Polonaise in A-flat major, Op. 53 (nicknamed Heroic, or Heroique) for solo piano was written by Frédéric Chopin in 1842. This masterpiece is one of Chopin\'s most popular compositions and has always been a favorite of the classical piano repertoire. The piece requires exceptional pianistic skills and requires virtuosity to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a polonaise. Another possibility is that this Polonaise is closely related to the Polonaise in A major, Op. 40, No. 1, known as the Military Polonaise, which, unlike Op. 53, is a true polonaise. Frederic Chopin (1810 - 1849)

op.40 No.1 (Chopin)

Polonaise in A major, Op. 40, No. 1 "Military"- F. Chopin

Polonaise in A major, Op. 40, No. 1 "Military" Composed by Frederic Chopin Performed by Philippe Entremont Image: Autograph partiture by the Polish composer Frédéric Chopin of his Polonaise Op. 53 in A flat major for piano, 1842. Copyright expired. Copied from Wikipedia.


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Chopin Polonaise Op.40 No.1

A slide show of Chopin and his and my homeland, Poland. Andrzej Kozlowski, piano

Can I listen to the way Chopin's Polonaise Op. 40 No. 1 sounds using just the left hand? To delve into my Music Appreciation Paper, I'd like to listen to this song, but a rendition of it where only the right or only he left hand is employed.Thank you!!

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There probably aren't any recordings like that. You can get a midi file of the piece and mute one of the two tracks. This requires some special software. The easiest is to use the free trial of Notation composer.notation.com/DownloadComposerTrial.php(this software only works with PC)classicalarchives.com/work/7174.html

Help me find a piece to learn next please ? well here's the story:so my mom is getting tired of paying for piano lessons. Right now were discussing if im still going to have them. So at my last lesson my piano teacher gave me Chopin's "Military" Polonaise Op.40 No.1 to work on and no other pieces and that was a while ago maybe back in October. I haven't been really practicing it a lot but finished it on Christmas. So i wont see my piano teacher next week or maybe never again! but i wont lose hope though i will get through this :)okay but the main question here is since im done with all my pieces right now can you please recommend a song for me to learn something by Chopin will be nice along with all the other great composers :) ! song im working on now is Liszt etude op.1 no.2So please people of yahoo answers give me a piece to learn please.btw im 14 if that helpsbtw im 14 if that helps
Hello!Try the 1st Scherzo or the 3rd Ballade by Chopin, these are not so difficult pieces. But I don't think you can learn them without a teacher. You haven't mentioned your age, but I suppose you are a pupil, if your mother pays for your piano lessons and if you play this repertoire you told us. My advice is to find a good piano teacher to help you. You have to talk with your piano teacher about your repertoire, not to ask for advices on Yahoo! Answers. Of course, it's fine to ask for some opinions on a forum, but you should have a professional opinion.All the best and good luck!

2 of my favorites are his Nocturne in B flat minoryoutube.com/watch?v=cFhaBEtmHeUand the Raindrops Prelude in D flat majoryoutube.com/watch?v=UGg8FqYRnwkand if you think you can handle it, the Fantasie Impromtpuyoutube.com/watch?v=qa0Z6g1XJkU

Bad Ass Piano Solos - NOT anything modern/mainstream? Well, I have had my share of experiences with people who think they're "four-chord" songs are considered difficult repertoire.I've used Kapustin and Chopin as my trump cards too many times and I need another piece to show them that the music of the modern generation is just too simple.Please name some "bad-ass" piano solos that I could add to my repertoire please :DExamples:Chopin Etude Op. 10, No. 4Kapustin Op.39 - Piano Sonata No.1 ( Sonata Fantasy ) - 4. Allegro MoltoKapustin Etude Op. 40, No.3But as much as I like chromatics, remember I'm using these solos to tackle a generation that is into melodic lines, so DIATONIC music that is "understandable" is very much preferred.No avante-garde or "experimental" music please...
Look up basically anything by Ravel.For example:Alberado del Gracioso is a collection of spanish melodies that have only a few chords, but they're all bizzare and sound wrong.Prelude from Le Tombeau de CouperinToccata from that suite if you're experienced enoughScarbo if you're insane enough.

Glinka: The Lark (Arrangement for Piano)

Glinka/Balakirev - The Lark [Sherry Kim]

This is a piece that I have been working on for the past month. Such a pretty piece! I was recording a video with a friend (which will be coming out in a few days!) and realized I had about an extra half an hour left over to use Lutkin Hall. I decided to run through The Lark, and to my surprise, I got this recording down in one shot. o__o; You can find the sheet music on imslp.org best site ever for classical sheet music. My FB Fan Page: facebook.com ENJOY!!


Glinka: The Lark (Arrangement for Piano) sheet music is available for downloading in digital format.

Glinka: The Lark (l\'Alouette) for piano

This is the piano arrangement for Glinka\'s Lark. It\'s a truly beautiful piece and Evgeny Kissin inspired me to play it. Enjoy! Sorry for several mistakes.

Je te veux (Arrangement for Piano) (Erik Satie)

Erik Satie Je te veux - Tzvi Erez, piano

iTunes Preview: itunes.apple.com Tzvi Erez performs Satie\'s Je te veux on a Bosendorfer piano, part of the new recording "Intimate Recital" on Niv Classical. Je te veux (French for I want you) is a song composed by Erik Satie to a text by Henry Pacory. A sentimental, slow waltz, it was originally written for the singer Paulette Darty, whose accompanist Satie had been for a period of time. The song was registered on November 1902, but some argue it had actually been composed in 1897. Satie composed various versions of the Je te veux waltz, this being the piano version. The melody was performed to the public in 1903 at La Scala. In 1925 the song was recorded with Yvonne George as singer. Je te veux was also recorded by Mathé Altéry, Régine Crespin, Gigliola Negri, Nicolaï Gedda and Davide Bassino, and later by the sopranos Jessye Norman and Marie Devellereau. 2010 Niv Classical. nivmusic.com


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Je te veux / Erik Satie

Je te veux by Erik Satie (1866-1925) Valse pour Piano This is a sentimental waltz. It was written for Paulette Darty as a cabaret-piece with a text of Henry Pacory.

Chopin (op.63 No.3)

Chopin Mazurka in C Sharp Minor Op.63 No.3 - Alfred Cortot

Chopin Mazurka In C-Sharp Minor, Op.63, No.3 Piano: Alfred Cortot --- Listen to radio stations from your browser toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved


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Rachmaninoff plays Chopin Mazurka, Op. 63, No. 3 in C-Sharp Minor

Rachmaninoff plays Chopin Mazurka, Op. 63, No. 3 in C-Sharp Minor

Chopin: Mazurka in C

Chopin - Mazurka op. 63 no. 3 in C sharp Minor [by Vadim Chaimovich]

Chopin - Mazurka op. 63 no. 3 in C sharp Minor AUDIO ONLY Vadim Chaimovich, piano Live recording from the recital at the Castle Georgium (Germany) on April 23, 2010


Digital music scores source: Chopin: Mazurka in C

ROBERTO POLI PLAYS CHOPIN MAZURKA IN C-SHARP MINOR, OP. 50, NO. 3

Frederic Chopin (1810-1849): Mazurka in c-sharp minor, Op. 50, no. 3 (1841-42) Roberto Poli, piano Recorded November 2008 - Rivera Recital Hall, Rivers School Conservatory, Weston, Massachusetts USA Available soon as part of the album "Chopin - Complete Piano Works, Vol. 3" onclassical.com

I need help with Music Appreciation? I need help to finish my Music Appreciation before midnight tonight.Exam 5: The Nineteenth Century, Part 21. The styles of singing in Wagner and Verdi operas differ. Janesays that the style of singing in a Verdi opera is virtuosic andelaborate. Lynn says that the style of singing in a Wagner operais more syllabic. Who is correct in describing the differentstyles of singing?A. Only Jane is correct.B. Only Lynn is correct.C. Both Jane and Lynn are correct.D. Neither Jane nor Lynn is correct.2. Which one of the following musical notations allowsperformers to improvise slightly with the rhythm?A. SostenutoB. Moderato C. AllegrettoD. Rubato3. Why was Richard Wagner considered the most progressive composer of his day?A. He combined choral music and orchestral music.B. He introduced the libretto to the opera.C. He advanced the harmonic idiom of music into new, exciting realms.D. He used the tala pulses in his orchestrations.4. In response to the outbreak of the Civil War, which composer wrote a solo piano piecethat incorporated the “Star Spangled Banner,” “Hail Columbia,” and “Yankee Doodle”into the work?A. Gottschalk B. Brahms C. MendelssohnD. Dvorak5. In Verdi’s La Traviata, Violetta sings _______ when unsure of herself.A. an aria B. a virtuoso C. in recitativeD. in a lower key6. To show his intense national pride, _______ wrote a large number of mazurkas.A. Verdi B. Chopin C. ShankarD. Dvorak7. During the nineteenth century, harmony becameA. more discordant.B. a large-scale structural element.C. more chromatic.D. highly important in program music.8. The third movement of ’s “String Quartet in F Major” contains a light-heartedpassage in a fast tempo and in triple meter called aA. variation. B. prelude. C. rondo.D. scherzo.9. Ravi Shankar is known for his mastery of the 18-stringed lute called theA. ragar. B. sitar. C. jhala tar.D. table.10. The _______ measures musical time using a pendulum.A. metronome B. lyre C. intermezzoD. timbrephone11. A single pair of notes played repeatedly in succession is known as a/anA. a capella. B. drone bass. C. hee haw.D. sotto voce.12. Wagner drew on _______ for his opera The Ring of the Nibelungs.A. religious dogma B. Roman mythology C. Greek mythologyD. northern European mythology13. The various melodies heard in “ ’s String Quartet in F Major” havea/an _______ quality.A. jazz-like B. Bach-like C. folk-likeD. operetta14. Which of the following composers helped the United States establish its own musicalsound by drawing on cultural idioms?A. Brahms B. Wagner C. DvorakD. Verdi15. Which composer is thought to epitomize Romanticism?A. Dvorak B. Chopin C. GottschalkD. Schumann16. The first American-born piano virtuoso to achieve international fame wasA. Dvorak. B. Wagner. C. Schumann.D. Gottschalk.17. _______ exemplifies the best elements of nineteenth-century Italian opera.A. La Boheme B. Pagliacci C. RigolettoD. La Traviata18. Compared to a violin, a cello has a _______ register.A. low B. calm C. highD. baudy19. In Brahms’ Symphony no. 4 in E Minor, the composer derived much of the form andtheme from theA. music of the middle ages. B. Baroque era. C. Classical era.D. music of the Renaissance.20. Which opera was written to celebrate the opening of the Suez Canal?A. Aida B. Rigoletto C. Il TrovatoreD. RequiemThanks for taking the time to help and God bless!

Digital music scores source: Chopin: Mazurka in C

Exam 5: The Nineteenth Century, Part 21. The styles of singing in Wagner and Verdi operas differ. Janesays that the style of singing in a Verdi opera is virtuosic andelaborate. Lynn says that the style of singing in a Wagner operais more syllabic. Who is correct in describing the differentstyles of singing?C. Both Jane and Lynn are correct.2. Which one of the following musical notations allowsperformers to improvise slightly with the rhythm?D. Rubato3. Why was Richard Wagner considered the most progressive composer of his day?C. He advanced the harmonic idiom of music into new, exciting realms.4. In response to the outbreak of the Civil War, which composer wrote a solo piano piecethat incorporated the “Star Spangled Banner,” “Hail Columbia,” and “Yankee Doodle”into the work?A. Gottschalk5. In Verdi’s La Traviata, Violetta sings _______ when unsure of herself.D. in a lower key6. To show his intense national pride, _______ wrote a large number of mazurkas.B. Chopin7. During the nineteenth century, harmony becameA. more discordant.B. a large-scale structural element.C. more chromatic.D. highly important in program music.don't know - what does your textbook say? Look up "harmony" in the index 8. The third movement of ’s “String Quartet in F Major” contains a light-heartedpassage in a fast tempo and in triple meter called aA. variation.B. prelude.C. rondo.D. scherzo.DON"T KNOW WHICH COMPOSER THIS REFERS TO 9. Ravi Shankar is known for his mastery of the 18-stringed lute called theB. sitar.10. The _______ measures musical time using a pendulum.A. metronome11. A single pair of notes played repeatedly in succession is known as a/anC. hee haw. ???12. Wagner drew on _______ for his opera The Ring of the Nibelungs.D. northern European mythology13. The various melodies heard in “ ’s String Quartet in F Major” havea/an _______ quality.C. folk-like14. Which of the following composers helped the United States establish its own musicalsound by drawing on cultural idioms?C. Dvorak15. Which composer is thought to epitomize Romanticism?B. Chopin16. The first American-born piano virtuoso to achieve international fame wasD. Gottschalk.17. _______ exemplifies the best elements of nineteenth-century Italian opera.D. La Traviata18. Compared to a violin, a cello has a _______ register.A. low19. In Brahms’ Symphony no. 4 in E Minor, the composer derived much of the form andtheme from theC. Classical era.20. Which opera was written to celebrate the opening of the Suez Canal?A. Aida

Chopin - op.41 No.3

Arthur Rubinstein - Chopin Mazurka Op 41 No 3

Arthur Rubinstein - Chopin Mazurka Op 41 No 3


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chopin mazurka op.41 no.3 in a flat major

chopin mazurka op.41 no.3 in a flat major